Il "trompe-l'œil" letterario, ovvero il sorriso ironico nell'opera di Wilhelm Hauff
Literary trompe-l'oeil intends to emancipate the enigmatic and distinctive figure of Hauff from his long and unjust marginalization resulting from a now outdated current of criticism, to offer a new interpretation of his Märchen for a general rereading of this modern literary caricaturist'...
שמור ב:
| מחבר ראשי: | |
|---|---|
| פורמט: | אלקטרוני Book Chapter |
| שפה: | איטלקית |
| יצא לאור: |
Firenze
Firenze University Press
2012
|
| סדרה: | Premio Tesi di Dottorato
|
| נושאים: | |
| גישה מקוונת: | DOAB: download the publication DOAB: description of the publication |
| תגים: |
הוספת תג
אין תגיות, היה/י הראשונ/ה לתייג את הרשומה!
|
| סיכום: | Literary trompe-l'oeil intends to emancipate the enigmatic and distinctive figure of Hauff from his long and unjust marginalization resulting from a now outdated current of criticism, to offer a new interpretation of his Märchen for a general rereading of this modern literary caricaturist's works. On approaching his texts, one cannot but notice how they are imbued with continual and insistent, bewitching, caustic and alienating allusions, just like the Mona Lisa's smile. With a constant critical scepticism and a subtle illusionist skill, this demythologized 'budding Satan' looks at the present situation through the 'diabolic lenses' of irony, making his works a sort of literary Befreiungskrieg, in which he lays claim to a heterotopic space of free fantastic-humorist expression, along the undulating route leading from Sterne to Heine via Jean Paul. |
|---|---|
| תיאור פיזי: | 1 electronic resource (278 p.) |
| ISBN: | 978-88-6655-225-3 9788866552253 9788866552246 9788892735590 |
| גישה: | Open Access |