Dalla pagina alla parete Tipografia futurista e fotomontaggio dada

The volume retraces the influence of futuristic typographic experimentalism on the dada photomontage, investigating the progressive transformation of the alphabetical fragment into an image in the research of the first avant-garde movements. Moreover, it analyses the avant-garde reinterpretation of...

Full description

Saved in:
Bibliographic Details
Main Author: TOSCHI, CATERINA (auth)
Format: Electronic Book Chapter
Language:Italian
Published: Florence Firenze University Press 2017
Series:Biblioteca di Studi di Filologia Moderna
Subjects:
Online Access:DOAB: download the publication
DOAB: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 doab_20_500_12854_83212
005 20220602
003 oapen
006 m o d
007 cr|mn|---annan
008 20220602s2017 xx |||||o ||| 0|ita d
020 |a 978-88-6453-599-9 
020 |a 9788864535999 
020 |a 9788892731882 
040 |a oapen  |c oapen 
024 7 |a 10.36253/978-88-6453-599-9  |c doi 
041 0 |a ita 
042 |a dc 
072 7 |a ACV  |2 bicssc 
072 7 |a ACX  |2 bicssc 
100 1 |a TOSCHI, CATERINA  |4 auth 
245 1 0 |a Dalla pagina alla parete  |b Tipografia futurista e fotomontaggio dada 
260 |a Florence  |b Firenze University Press  |c 2017 
300 |a 1 electronic resource (362 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Biblioteca di Studi di Filologia Moderna 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a The volume retraces the influence of futuristic typographic experimentalism on the dada photomontage, investigating the progressive transformation of the alphabetical fragment into an image in the research of the first avant-garde movements. Moreover, it analyses the avant-garde reinterpretation of the neue Typographie in central-east-Europe. From the "Words-in-Freedom" to the Lautgedicht, from the Manifesto Poems to the first photomontages, the role of typography in the affirmation of two postulates of the twentieth-century artistic culture is analysed: the use of the word is the form and the value of the procedure is the meaning of the work. A chronology, commented on by photographic and documentary materials, which also offers the reader an instrument of exegesis in synergy with the critical text, paying particular attention to the testimonies of the Dadaists in the context of the neo-avant-garde movement. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc-nd/3.0/  |2 cc  |4 https://creativecommons.org/licenses/by-nc-nd/3.0/ 
546 |a Italian 
650 7 |a History of art & design styles: c 1800 to c 1900  |2 bicssc 
650 7 |a History of art & design styles: from c 1900 -  |2 bicssc 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/55374/1/9788864535999.pdf  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/83212  |7 0  |z DOAB: description of the publication