Chapter L'eredità teatrale e artistica di Savva Mamontov: un ponte tra Oriente e Occidente
The present issue focuses on Savva Mamontov as main creator of a theatrical-synaesthetic experimentation in Russia, based on the research of a common Slavic and pre-Helenic civilizations root to create a universal artistic language. So the paper explores Sciamanism and Shiite mother goddess cult to...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic Book Chapter |
| Language: | Italian |
| Published: |
Florence
Firenze University Press
2017
|
| Series: | Biblioteca di Studi Slavistici
|
| Subjects: | |
| Online Access: | DOAB: download the publication DOAB: description of the publication |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
| LEADER | 00000naaaa2200000uu 4500 | ||
|---|---|---|---|
| 001 | doab_20_500_12854_83267 | ||
| 005 | 20220602 | ||
| 003 | oapen | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20220602s2017 xx |||||o ||| 0|ita d | ||
| 020 | |a 978-88-6453-507-4.15 | ||
| 020 | |a 9788864535074 | ||
| 040 | |a oapen |c oapen | ||
| 024 | 7 | |a 10.36253/978-88-6453-507-4.15 |c doi | |
| 041 | 0 | |a ita | |
| 042 | |a dc | ||
| 100 | 1 | |a GAVRILOVICH, DONATELLA |4 auth | |
| 245 | 1 | 0 | |a Chapter L'eredità teatrale e artistica di Savva Mamontov: un ponte tra Oriente e Occidente |
| 260 | |a Florence |b Firenze University Press |c 2017 | ||
| 300 | |a 1 electronic resource (18 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Biblioteca di Studi Slavistici | |
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a The present issue focuses on Savva Mamontov as main creator of a theatrical-synaesthetic experimentation in Russia, based on the research of a common Slavic and pre-Helenic civilizations root to create a universal artistic language. So the paper explores Sciamanism and Shiite mother goddess cult to identify the conjunction points between these ancient cults and the rediscovery of the artist's gesture sacredness both in Mamontov's conception both in the painters' artworks of his circle. | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by/4.0/ |2 cc |4 https://creativecommons.org/licenses/by/4.0/ | ||
| 546 | |a Italian | ||
| 653 | |a Savva Mamontov | ||
| 653 | |a Russian Theatre | ||
| 653 | |a Russian Avant-Garde | ||
| 653 | |a Slavic Sciamanism | ||
| 773 | 1 | 0 | |7 nnaa |
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/55849/1/26501.pdf |7 0 |z DOAB: download the publication |
| 856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/83267 |7 0 |z DOAB: description of the publication |