Chapter Entre mythe et histoire, syncrétisme et fracture, universalité et russité: le recueil Mednyj Kit (Baleine de bronze) au coeur de l'esthétique révolutionnaire de Nikolaj Kljuev
Soon after greeting the February revolution, Klyuev turns to an aesthetic of violence and disruption. In the poetic cycle Medny Kit (1918), the utopia of "peasant paradise" stems from the apocalyptic destruction of old Russia. While the poet contemplates the cyclicity of Russian history, t...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic Book Chapter |
| Published: |
Florence
Firenze University Press
2017
|
| Series: | Biblioteca di Studi Slavistici
|
| Subjects: | |
| Online Access: | DOAB: download the publication DOAB: description of the publication |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
| LEADER | 00000naaaa2200000uu 4500 | ||
|---|---|---|---|
| 001 | doab_20_500_12854_83328 | ||
| 005 | 20220602 | ||
| 003 | oapen | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20220602s2017 xx |||||o ||| 0|fra d | ||
| 020 | |a 978-88-6453-507-4.18 | ||
| 020 | |a 9788864535074 | ||
| 040 | |a oapen |c oapen | ||
| 024 | 7 | |a 10.36253/978-88-6453-507-4.18 |c doi | |
| 041 | 0 | |a fra | |
| 042 | |a dc | ||
| 100 | 1 | |a Sinichkina, Daria |4 auth | |
| 245 | 1 | 0 | |a Chapter Entre mythe et histoire, syncrétisme et fracture, universalité et russité: le recueil Mednyj Kit (Baleine de bronze) au coeur de l'esthétique révolutionnaire de Nikolaj Kljuev |
| 260 | |a Florence |b Firenze University Press |c 2017 | ||
| 300 | |a 1 electronic resource (23 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Biblioteca di Studi Slavistici | |
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a Soon after greeting the February revolution, Klyuev turns to an aesthetic of violence and disruption. In the poetic cycle Medny Kit (1918), the utopia of "peasant paradise" stems from the apocalyptic destruction of old Russia. While the poet contemplates the cyclicity of Russian history, the lyrical subject comes transfigured out of the "red" baptism, identifying himself simultaneously to Rasputin and Avvakum. As the cycle captures the brutal melody of the times, the lyric genre is pushed to its limit - polyphony, which announces the transition to narrative and epic poetry. | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by/4.0/ |2 cc |4 https://creativecommons.org/licenses/by/4.0/ | ||
| 546 | |a French | ||
| 653 | |a Mythopoetics | ||
| 653 | |a Nikolay Klyuev | ||
| 653 | |a revolutionary poetics | ||
| 653 | |a epic poetry | ||
| 653 | |a Avvakum | ||
| 773 | 1 | 0 | |7 nnaa |
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/55845/1/26504.pdf |7 0 |z DOAB: download the publication |
| 856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/83328 |7 0 |z DOAB: description of the publication |