Autofiction(s) et scandale
The reception history of the term autofiction, coined by Serge Doubrovsky in 1977 and strongly polarising since then, shows that autofictional writing has been used by numerous authors in the past decades as a possibility to give explosive insights into their lives on the one hand, but to refer to a...
Saved in:
| Other Authors: | , , |
|---|---|
| Format: | Electronic Book Chapter |
| Language: | English |
| Published: |
Munich
Akademische Verlagsgemeinschaft München (AVM)
2022
|
| Series: | Romanische Studien Beihefte
|
| Subjects: | |
| Online Access: | DOAB: download the publication DOAB: description of the publication |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
| LEADER | 00000naaaa2200000uu 4500 | ||
|---|---|---|---|
| 001 | doab_20_500_12854_84700 | ||
| 005 | 20220628 | ||
| 003 | oapen | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20220628s2022 xx |||||o ||| 0|eng d | ||
| 020 | |a 9783960915973 | ||
| 020 | |a 9783954771363 | ||
| 040 | |a oapen |c oapen | ||
| 024 | 7 | |a 10.23780/9783960915973 |c doi | |
| 041 | 0 | |a eng |a fra | |
| 042 | |a dc | ||
| 072 | 7 | |a DN |2 bicssc | |
| 100 | 1 | |a Jacobi, Claudia |4 edt | |
| 700 | 1 | |a Ott, Christine |4 edt | |
| 700 | 1 | |a Schönwälder, Lena |4 edt | |
| 700 | 1 | |a Jacobi, Claudia |4 oth | |
| 700 | 1 | |a Ott, Christine |4 oth | |
| 700 | 1 | |a Schönwälder, Lena |4 oth | |
| 245 | 1 | 0 | |a Autofiction(s) et scandale |
| 260 | |a Munich |b Akademische Verlagsgemeinschaft München (AVM) |c 2022 | ||
| 300 | |a 1 electronic resource (204 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Romanische Studien Beihefte | |
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a The reception history of the term autofiction, coined by Serge Doubrovsky in 1977 and strongly polarising since then, shows that autofictional writing has been used by numerous authors in the past decades as a possibility to give explosive insights into their lives on the one hand, but to refer to an indeterminable ""fictional"" part of their work on the other. The underlying interferences between fictional and factual narrative strategies seem to predestine autofiction for the representation and provocation of scandal. This volume brings together contributions that illuminate the relationship between autofiction and scandal from epistemological, literary-historical and reception-aesthetic perspectives and explore ethical questions of the demarcation between public and private space. | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by/4.0/ |2 cc |4 https://creativecommons.org/licenses/by/4.0/ | ||
| 546 | |a English | ||
| 546 | |a French | ||
| 650 | 7 | |a Prose: non-fiction |2 bicssc | |
| 653 | |a narratology; literary scandal; literary provocation; intertextuality; aesthetics of scandal; sociobiography; reception authorities; writer's stage design; close reading; distant reading; autobiography | ||
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/57118/1/9783960915973.pdf |7 0 |z DOAB: download the publication |
| 856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/84700 |7 0 |z DOAB: description of the publication |