The International Film Industry Western Europe and America Since 1945

This original and fully documented study finds that the trend in film making in the Western world is to international coproduction. The massive increase of American investment in European film companies, and the continuing search for wider and more lucrative markets are creating a dehumanized, slick...

Full description

Saved in:
Bibliographic Details
Main Author: Guback, Thomas H. (auth)
Format: Electronic Book Chapter
Language:English
Published: Indiana University Press 1969
Subjects:
Online Access:DOAB: download the publication
DOAB: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 doab_20_500_12854_88277
005 20220715
003 oapen
006 m o d
007 cr|mn|---annan
008 20220715s1969 xx |||||o ||| 0|eng d
020 |a 9780253049049 
040 |a oapen  |c oapen 
041 0 |a eng 
042 |a dc 
072 7 |a APFA  |2 bicssc 
100 1 |a Guback, Thomas H.  |4 auth 
245 1 0 |a The International Film Industry  |b Western Europe and America Since 1945 
260 |b Indiana University Press  |c 1969 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a This original and fully documented study finds that the trend in film making in the Western world is to international coproduction. The massive increase of American investment in European film companies, and the continuing search for wider and more lucrative markets are creating a dehumanized, slick style of film that eliminates domestic cultural characteristics and blurs the expression of individual national perceptions. Mr. Guback discusses postwar quota and tariff restrictions erected by European countries to protect their national film industries; the use of the boycott to force a foreign market for American films; the increasing acceptance of European films in the United States; and the United States' backing of the American industry and use of film for propaganda purposes. He shows the intricacies of coproduction and the creation of an industry that is truly international in financing, production, and distribution. Mr. Guback has tapped a reservoir of new sources by personally interviewing film executives on both sides of the Atlantic, and by gaining access to documents heretofore unavailable to researchers. His study provides economists and film buffs with significant new material and interpretation. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc-nd/4.0/  |2 cc  |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ 
546 |a English 
650 7 |a Film theory & criticism  |2 bicssc 
653 |a Film history, theory & criticism 
856 4 0 |a www.oapen.org  |u https://muse.jhu.edu/book/84703  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/88277  |7 0  |z DOAB: description of the publication