Classical Chinese Tales of the Supernatural and the Fantastic Selections from the Third to the Tenth Century

In Chinese literary history, the Six Dynasties (317-588) and the T'ang (618-906) were the great creative times for the production of supernatural and fantastic stories in the classical language. This major collection of ninety-six stories, most of them newly translated, represents the very best...

Full description

Saved in:
Bibliographic Details
Format: Electronic Book Chapter
Language:English
Published: Indiana University Press 1985
Subjects:
Online Access:DOAB: download the publication
DOAB: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 doab_20_500_12854_88325
005 20220715
003 oapen
006 m o d
007 cr|mn|---annan
008 20220715s1985 xx |||||o ||| 0|eng d
020 |a 9780253051820 
040 |a oapen  |c oapen 
041 0 |a eng 
042 |a dc 
072 7 |a DQ  |2 bicssc 
245 1 0 |a Classical Chinese Tales of the Supernatural and the Fantastic  |b Selections from the Third to the Tenth Century 
260 |b Indiana University Press  |c 1985 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a In Chinese literary history, the Six Dynasties (317-588) and the T'ang (618-906) were the great creative times for the production of supernatural and fantastic stories in the classical language. This major collection of ninety-six stories, most of them newly translated, represents the very best of this tradition. Presented here are stories which are known in the Chinese tradition as chih-k uai (records of anomalies or the unnatural) and the ch'uan-ch'i (accounts of the extraordinary). These are all basically fictional narratives or stories, but, unlike Western supernatural stories, are considered more or less as records of observable facts and have the effect of giving the fantastic a rootedness in historical reality. Underlying the recording of these supernatural stories is a belief in supernaturalism and magic and, above all, the acceptance of the unnatural and the supernormal on their face value as factual. Professor Kao has provided a brilliant and lengthy introduction explaining the genre and its influence on later Chinese literature right down to the twentieth century. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc-nd/4.0/  |2 cc  |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ 
546 |a English 
650 7 |a Anthologies (non-poetry)  |2 bicssc 
653 |a Anthologies: general 
856 4 0 |a www.oapen.org  |u https://muse.jhu.edu/book/98806  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/88325  |7 0  |z DOAB: description of the publication