The Birth of the Talkies From Edison to Joison

Prepared in commemoration ofthe fiftieth anniversary of the talkies, The Birth of the Talkies is the first complete, authoritative account of how sound cinema was born. The story begins in 1877 with the invention of the phonograph, which was to provide silent cinema with its earliest form of recorde...

Full description

Saved in:
Bibliographic Details
Main Author: Geduld, Harry M. (auth)
Format: Electronic Book Chapter
Language:English
Published: Indiana University Press 1975
Subjects:
Online Access:DOAB: download the publication
DOAB: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 doab_20_500_12854_88339
005 20220715
003 oapen
006 m o d
007 cr|mn|---annan
008 20220715s1975 xx |||||o ||| 0|eng d
020 |a 9780253053473 
040 |a oapen  |c oapen 
041 0 |a eng 
042 |a dc 
072 7 |a APFA  |2 bicssc 
100 1 |a Geduld, Harry M.  |4 auth 
245 1 0 |a The Birth of the Talkies  |b From Edison to Joison 
260 |b Indiana University Press  |c 1975 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a Prepared in commemoration ofthe fiftieth anniversary of the talkies, The Birth of the Talkies is the first complete, authoritative account of how sound cinema was born. The story begins in 1877 with the invention of the phonograph, which was to provide silent cinema with its earliest form of recorded sound accompaniment. It concludes in 1929, the first year in which a talkie won an Academy Award. En route, the book recounts the various applications of the phonograph in supplying sound for the so-called silent cinema. It surveys the profusion of failures, half-failures, and abortive successes that led ultimately to Vitaphone and the international triumph of The Jazz Singer. Remarkable but virtually forgotten developments such as the Phono-Cinéma-Théâtre of 1900, the Filmsparlants of Léon Gaumont, and the Kinetophone shows of Thomas Alva Edison are described in detail, along with a wealth of information about related efforts to harness the phonograph to the cinematograph. All the early sound films of the Hollywood studios are described and discussed, and a concluding chapter surveys the effects of the sound revolution on the American film industry. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc-nd/4.0/  |2 cc  |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ 
546 |a English 
650 7 |a Film theory & criticism  |2 bicssc 
653 |a Film history, theory & criticism 
856 4 0 |a www.oapen.org  |u https://muse.jhu.edu/book/84714  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/88339  |7 0  |z DOAB: description of the publication