The Form of American Romance

Originally published in 1988. Edgar Dryden challenges recent criticism that has tended to discredit-or at least devalue-the importance of "romance" as a thematic and generic category of American fiction. In The Form of American Romance, he examines its evolution and meaning through reading...

Full description

Saved in:
Bibliographic Details
Main Author: Dryden, Edgar (auth)
Format: Electronic Book Chapter
Language:English
Published: Johns Hopkins University Press 2019
Subjects:
Online Access:DOAB: download the publication
DOAB: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 doab_20_500_12854_88819
005 20220715
003 oapen
006 m o d
007 cr|mn|---annan
008 20220715s2019 xx |||||o ||| 0|eng d
020 |a book.67870 
020 |a 9781421429984 
040 |a oapen  |c oapen 
024 7 |a 10.1353/book.67870  |c doi 
041 0 |a eng 
042 |a dc 
072 7 |a DS  |2 bicssc 
100 1 |a Dryden, Edgar  |4 auth 
245 1 0 |a The Form of American Romance 
260 |b Johns Hopkins University Press  |c 2019 
300 |a 1 electronic resource (274 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a Originally published in 1988. Edgar Dryden challenges recent criticism that has tended to discredit-or at least devalue-the importance of "romance" as a thematic and generic category of American fiction. In The Form of American Romance, he examines its evolution and meaning through readings of five exemplary texts: Hawthorne's Marble Faun, Melville's Pierre, James's Portrait of a Lady, Faulkner's Absalom, Absalom!, and Barth's Letters. Each of these novels treats the problems of reading and writing in a self-referential way that reflects on the questions they dramatize, and Dryden has chosen each with the others in mind. Taken together, they chart a line of development with representative examples of what literary history calls romanticism, realism, modernism, and postmodernism, and thus they suggest a certain story about the continuity of the American novel. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc-nd/4.0/  |2 cc  |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ 
546 |a English 
650 7 |a Literature: history & criticism  |2 bicssc 
653 |a Literature: history & criticism 
856 4 0 |a www.oapen.org  |u https://muse.jhu.edu/book/67870  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/88819  |7 0  |z DOAB: description of the publication