Decomposing Figures Rhetorical Readings in the Romantic Tradition
Originally published in 1986. The ghastly fate of a drowned man brought to a lake's surface in Wordsworth's "Prelude" typifies a fundamental pattern in Romantic writing, argues Cynthia Chase. Disfiguration involves not only a departure from representation but a disruption of the...
Saved in:
Main Author: | |
---|---|
Format: | Electronic Book Chapter |
Language: | English |
Published: |
Johns Hopkins University Press
2019
|
Subjects: | |
Online Access: | DOAB: download the publication DOAB: description of the publication |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
LEADER | 00000naaaa2200000uu 4500 | ||
---|---|---|---|
001 | doab_20_500_12854_88916 | ||
005 | 20220715 | ||
003 | oapen | ||
006 | m o d | ||
007 | cr|mn|---annan | ||
008 | 20220715s2019 xx |||||o ||| 0|eng d | ||
020 | |a book.68474 | ||
020 | |a 9781421434117 | ||
040 | |a oapen |c oapen | ||
024 | 7 | |a 10.1353/book.68474 |c doi | |
041 | 0 | |a eng | |
042 | |a dc | ||
072 | 7 | |a DSA |2 bicssc | |
100 | 1 | |a Chase, Cynthia |4 auth | |
245 | 1 | 0 | |a Decomposing Figures |b Rhetorical Readings in the Romantic Tradition |
260 | |b Johns Hopkins University Press |c 2019 | ||
300 | |a 1 electronic resource (250 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a Originally published in 1986. The ghastly fate of a drowned man brought to a lake's surface in Wordsworth's "Prelude" typifies a fundamental pattern in Romantic writing, argues Cynthia Chase. Disfiguration involves not only a departure from representation but a disruption of the logic of figure or form, a decomposition of the figures composing the text. Ultimately it manifests the conflict between a work's meaning and its mode of performance. By means of an intense engagement with texts in the romantic tradition, Decomposing Figures rearticulates and recasts crucial concepts in recent literary theory, including the notion of the self-referential or self-reflexive nature of the literary work. Chase's readings show that, far from implying a privileged status, the work's self-reflexive structure entails its opacity, its inability to read itself, and the necessity of its decomposition. | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
546 | |a English | ||
650 | 7 | |a Literary theory |2 bicssc | |
653 | |a Literary theory | ||
856 | 4 | 0 | |a www.oapen.org |u https://muse.jhu.edu/book/68474 |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/88916 |7 0 |z DOAB: description of the publication |