Los Festivales de Oposición Kultur- und Reformpolitik der Mexikanischen Kommunistischen Partei auf den Festivales de Oposición (1977-1981)
Sherin Abu Chouka examines the Festivales de Oposición of the Mexican Communist Party (PCM), which between 1977 and 1981 developed into an international networking platform and a meeting place for politicized art of the Canto Nuevo Latinoamericano.
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|---|---|
| Format: | Electronic Book Chapter |
| Published: |
Darmstadt
Wissenschaftliche Buchgesellschaft (wbg)
2022
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| Series: | Historamericana
51 |
| Subjects: | |
| Online Access: | DOAB: download the publication DOAB: description of the publication |
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| 520 | |a Sherin Abu Chouka examines the Festivales de Oposición of the Mexican Communist Party (PCM), which between 1977 and 1981 developed into an international networking platform and a meeting place for politicized art of the Canto Nuevo Latinoamericano. | ||
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| 546 | |a German | ||
| 653 | |a Eurocommunism | ||
| 653 | |a reform communism | ||
| 653 | |a music festival | ||
| 653 | |a Nueva Canción Latinoamericana | ||
| 653 | |a Nuevo Canto Mexicano | ||
| 653 | |a Red Woodstock Festival | ||
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| 653 | |a international networking | ||
| 653 | |a actor-network theory | ||
| 653 | |a feminism | ||
| 653 | |a liberation theology | ||
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