Operatic Pasticcios in 18th-Century Europe Contexts, Materials and Aesthetics
In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation o...
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| Format: | Electronic Book Chapter |
| Language: | English |
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Bielefeld
transcript Verlag
2021
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| Series: | Mainzer Historische Kulturwissenschaften
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| Subjects: | |
| Online Access: | DOAB: download the publication DOAB: description of the publication |
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| 520 | |a In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles. | ||
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| 653 | |a Pastiche | ||
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| 653 | |a Music Aesthetics | ||
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| 856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/96401 |7 0 |z DOAB: description of the publication |