Nineteenth-Century French Song Fauré, Chausson, Duparc, and Debussy
Nowhere in the art song repertoire dowes one find a more felicitous union than in the 200 or so mélodies of Fauré, Chausson, Duparc, and Debussy. These four composers brought to the magnificent world of their contemporaries-Verlaine, Gautier, Baudelaire, Mallarmé, Leconte de Lisle, and others-the...
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Format: | Electronic Book Chapter |
Language: | English |
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Indiana University Press
1980
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Online Access: | DOAB: download the publication DOAB: description of the publication |
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008 | 20230202s1980 xx |||||o ||| 0|eng d | ||
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041 | 0 | |a eng | |
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072 | 7 | |a AVGC |2 bicssc | |
100 | 1 | |a Meister, Barbara |4 auth | |
245 | 1 | 0 | |a Nineteenth-Century French Song |b Fauré, Chausson, Duparc, and Debussy |
260 | |b Indiana University Press |c 1980 | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a Nowhere in the art song repertoire dowes one find a more felicitous union than in the 200 or so mélodies of Fauré, Chausson, Duparc, and Debussy. These four composers brought to the magnificent world of their contemporaries-Verlaine, Gautier, Baudelaire, Mallarmé, Leconte de Lisle, and others-the delicacy, sensitivity, and voluptuousness that characterize French music from 1865 to 1914. Song by song, this comprehensive study addresses each composer's complete works for solo, voice, and piano. Errors in popular published editions are pointed out and corrected. The full French text is given, followed by Barbara Meister's translation-in many cases, the first English version ever published. These exquisite renderings (not intended to substitute for the French lyrics in performance) vividly convey the sense and mood of the originals. Here the singer will find guidance on interpretation and pronunciation; the accompanist will profit from harmonic analyses intended to further genuine partnership with the vocalist; and the listener will gain a fuller satisfaction from learing how various works fit into their historical and aesthetic context, and in the lives of the poets and composers. | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
546 | |a English | ||
650 | 7 | |a Western "classical" music |2 bicssc | |
653 | |a Art music, orchestral & formal music | ||
856 | 4 | 0 | |a www.oapen.org |u https://muse.jhu.edu/book/93947 |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/96588 |7 0 |z DOAB: description of the publication |