Nineteenth-Century French Song Fauré, Chausson, Duparc, and Debussy

Nowhere in the art song repertoire dowes one find a more felicitous union than in the 200 or so mélodies of Fauré, Chausson, Duparc, and Debussy. These four composers brought to the magnificent world of their contemporaries-Verlaine, Gautier, Baudelaire, Mallarmé, Leconte de Lisle, and others-the...

Full description

Saved in:
Bibliographic Details
Main Author: Meister, Barbara (auth)
Format: Electronic Book Chapter
Language:English
Published: Indiana University Press 1980
Subjects:
Online Access:DOAB: download the publication
DOAB: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 doab_20_500_12854_96588
005 20230202
003 oapen
006 m o d
007 cr|mn|---annan
008 20230202s1980 xx |||||o ||| 0|eng d
020 |a 9780253055460 
040 |a oapen  |c oapen 
041 0 |a eng 
042 |a dc 
072 7 |a AVGC  |2 bicssc 
100 1 |a Meister, Barbara  |4 auth 
245 1 0 |a Nineteenth-Century French Song  |b Fauré, Chausson, Duparc, and Debussy 
260 |b Indiana University Press  |c 1980 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a Nowhere in the art song repertoire dowes one find a more felicitous union than in the 200 or so mélodies of Fauré, Chausson, Duparc, and Debussy. These four composers brought to the magnificent world of their contemporaries-Verlaine, Gautier, Baudelaire, Mallarmé, Leconte de Lisle, and others-the delicacy, sensitivity, and voluptuousness that characterize French music from 1865 to 1914. Song by song, this comprehensive study addresses each composer's complete works for solo, voice, and piano. Errors in popular published editions are pointed out and corrected. The full French text is given, followed by Barbara Meister's translation-in many cases, the first English version ever published. These exquisite renderings (not intended to substitute for the French lyrics in performance) vividly convey the sense and mood of the originals. Here the singer will find guidance on interpretation and pronunciation; the accompanist will profit from harmonic analyses intended to further genuine partnership with the vocalist; and the listener will gain a fuller satisfaction from learing how various works fit into their historical and aesthetic context, and in the lives of the poets and composers. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc-nd/4.0/  |2 cc  |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ 
546 |a English 
650 7 |a Western "classical" music  |2 bicssc 
653 |a Art music, orchestral & formal music 
856 4 0 |a www.oapen.org  |u https://muse.jhu.edu/book/93947  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/96588  |7 0  |z DOAB: description of the publication