Shapes of Imagination Calculating in Coleridge's Magical Realm

Visual calculating in shape grammars aligns with art and design, bridging the gap between seeing (Coleridge's "imagination") and combinatoric play (Coleridge's "fancy"). In Shapes of Imagination, George Stiny runs visual calculating in shape grammars through art and des...

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में बचाया:
ग्रंथसूची विवरण
मुख्य लेखक: Stiny, George (auth)
स्वरूप: इलेक्ट्रोनिक पुस्तक अध्याय
भाषा:अंग्रेज़ी
प्रकाशित: Cambridge The MIT Press 2022
श्रृंखला:The MIT Press
विषय:
ऑनलाइन पहुंच:DOAB: download the publication
DOAB: description of the publication
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विवरण
सारांश:Visual calculating in shape grammars aligns with art and design, bridging the gap between seeing (Coleridge's "imagination") and combinatoric play (Coleridge's "fancy"). In Shapes of Imagination, George Stiny runs visual calculating in shape grammars through art and design-incorporating Samuel Taylor Coleridge's poetic imagination and Oscar Wilde's challenging corollary to see things as they aren't. Many assume that calculating limits art and design to suit computers, but shape grammars rely on seeing to prove otherwise. Rules that change what they see extend calculating to overtake what computers can do, in logic and with data and learning. Shape grammars bridge the categorical divide between seeing (Coleridge's "imagination, or esemplastic power") and combinatoric play (Coleridge's "fancy"). Stiny shows that calculating without seeing excludes art and design. Seeing is key for calculating to augment creative activity with aesthetic insight and value. Shape grammars go by appearances, in a full-fledged aesthetic enterprise for the inconstant eye; they answer the question of what calculating would be like if Turing and von Neumann were artists instead of logicians. Art and design are calculating in all their splendid detail.
भौतिक वर्णन:1 electronic resource (248 p.)
आईएसबीएन:mitpress/14469.001.0001
9780262370653
9780262544139
डिजिटल ऑब्जेक्ट पहचानकर्ता:10.7551/mitpress/14469.001.0001
अभिगमन:Open Access