Weltauflösungen Studien zu instabilen Erzählwelten in der deutschen und französischen Literatur (1945-1965)
After WWII, a crisis of narrative worlds emerged in German and French literature. Narrative fiction, the main genre of world-making, created dissolving story worlds, which was a reaction to the critical and scientific attention being paid to the topic of 'Neuzeit' (modern history) after 19...
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Format: | Electronic Book Chapter |
Published: |
Baden-Baden
Nomos Verlagsgesellschaft mbH & Co. KG
2023
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Series: | Das Unsichere Wissen in der Literatur
Band 9 |
Subjects: | |
Online Access: | DOAB: download the publication DOAB: description of the publication |
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245 | 1 | 0 | |a Weltauflösungen |b Studien zu instabilen Erzählwelten in der deutschen und französischen Literatur (1945-1965) |
260 | |a Baden-Baden |b Nomos Verlagsgesellschaft mbH & Co. KG |c 2023 | ||
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490 | 1 | |a Das Unsichere Wissen in der Literatur |v Band 9 | |
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520 | |a After WWII, a crisis of narrative worlds emerged in German and French literature. Narrative fiction, the main genre of world-making, created dissolving story worlds, which was a reaction to the critical and scientific attention being paid to the topic of 'Neuzeit' (modern history) after 1945. Even today, unstable narrative worlds present a challenge to the methods and instruments of narratological research and possible world theory. Located between the poetology of knowledge and possible world theory, this study analyses works by Gottfried Benn, Arno Schmidt, Wolfgang Hildesheimer, Peter Weiss, Samuel Beckett, Alain Robbe-Grillet and Maurice Blanchot. Their stories' dissolving worlds are used as a point of departure from which to tread new paths in world-based narratology. | ||
520 | |a Nach dem Zweiten Weltkrieg zeichnet sich eine Krise der Erzählwelt in der deutschen und französischen Literatur ab. Erzähltexte, denen man Weltschöpfung zuschreibt, lösen nun Welten auf. Sie reagieren damit implizit auf ein wissenschaftliches Interesse an der Neuzeit, wie sie nach 1945 verhandelt wird. Daneben stellen instabile Erzählwelten eine Herausforderung für die heutige Methodologie der Erzählforschung dar. Zwischen Wissenspoetologie und narratologischer Weltentheorie changierend, unternimmt die Arbeit den Versuch, Erzähltexte von Gottfried Benn, Arno Schmidt, Wolfgang Hildesheimer, Peter Weiss, Samuel Beckett, Alain Robbe-Grillet und Maurice Blanchot neu zu lesen. Ihre Texte werden so zum Ausgangspunkt einer Revision der Theorie erzählter Welten. | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by/4.0/ |2 cc |4 https://creativecommons.org/licenses/by/4.0/ | ||
546 | |a German | ||
650 | 7 | |a CF |2 bicssc | |
856 | 4 | 0 | |a www.oapen.org |u doi.org/10.5771/9783968219271 |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/98225 |7 0 |z DOAB: description of the publication |