Wits and Interpretation Keyboard Thoughts
In what ways can analytic reection be of avail when engaging in music as a musician? What restrictions of the interpreter's freedom do musical scores impose? Which licences do musicians in fact allow themselves? Can hierarchical tonal analysis really guide musicians towards artistically rewardi...
Saved in:
Main Author: | |
---|---|
Format: | Electronic Book Chapter |
Language: | English |
Published: |
Bern
Peter Lang International Academic Publishing Group
2023
|
Subjects: | |
Online Access: | DOAB: download the publication DOAB: description of the publication |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
LEADER | 00000naaaa2200000uu 4500 | ||
---|---|---|---|
001 | doab_20_500_12854_98641 | ||
005 | 20230322 | ||
003 | oapen | ||
006 | m o d | ||
007 | cr|mn|---annan | ||
008 | 20230322s2023 xx |||||o ||| 0|eng d | ||
020 | |a b20238 | ||
020 | |a 9783631890943 | ||
020 | |a 9783631890950 | ||
020 | |a 9783631889688 | ||
040 | |a oapen |c oapen | ||
024 | 7 | |a 10.3726/b20238 |c doi | |
041 | 0 | |a eng | |
042 | |a dc | ||
072 | 7 | |a AVA |2 bicssc | |
100 | 1 | |a Edlund, Bengt |4 auth | |
245 | 1 | 0 | |a Wits and Interpretation |b Keyboard Thoughts |
260 | |a Bern |b Peter Lang International Academic Publishing Group |c 2023 | ||
300 | |a 1 electronic resource (464 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a In what ways can analytic reection be of avail when engaging in music as a musician? What restrictions of the interpreter's freedom do musical scores impose? Which licences do musicians in fact allow themselves? Can hierarchical tonal analysis really guide musicians towards artistically rewarding interpretations? Or is perhaps a painstaking and sensitive study of the musical details, revealing continuous processes, a more productive path to telling performances? roughout the book, the views and discussions are amplied by music examples. | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by/4.0 |2 cc |4 https://creativecommons.org/licenses/by/4.0 | ||
546 | |a English | ||
650 | 7 | |a Theory of music & musicology |2 bicssc | |
653 | |a Analytical methods | ||
653 | |a Bahsi | ||
653 | |a Bengt | ||
653 | |a Edlund | ||
653 | |a Esra | ||
653 | |a Golden section | ||
653 | |a Interpretation | ||
653 | |a Keyboard | ||
653 | |a Musical ambiguity | ||
653 | |a Musical hermeneutics | ||
653 | |a Musical plagiarism | ||
653 | |a Musical similarity | ||
653 | |a Schenkerian analysis | ||
653 | |a Thoughts | ||
653 | |a Wits | ||
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/61965/1/9783631890943.pdf |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/98641 |7 0 |z DOAB: description of the publication |