Chapter 3 Participatory Storytelling
This chapter introduces the idea of a postformalist aesthetic theory of reconstructing remote artefacts aesthetic statuses. The case is immune to the misgivings about aesthetic enquiry prevalent in the humanities and social sciences, since it does not assume that recovering such statuses involves ex...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic Book Chapter |
| Language: | English |
| Published: |
Taylor & Francis
2023
|
| Subjects: | |
| Online Access: | DOAB: download the publication DOAB: description of the publication |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
| LEADER | 00000naaaa2200000uu 4500 | ||
|---|---|---|---|
| 001 | doab_20_500_12854_99191 | ||
| 005 | 20230418 | ||
| 003 | oapen | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20230418s2023 xx |||||o ||| 0|eng d | ||
| 020 | |a 9781003361909-4 | ||
| 020 | |a 9781032422411 | ||
| 020 | |a 9781032422428 | ||
| 020 | |a 9781000826494 | ||
| 040 | |a oapen |c oapen | ||
| 024 | 7 | |a 10.4324/9781003361909-4 |c doi | |
| 041 | 0 | |a eng | |
| 042 | |a dc | ||
| 072 | 7 | |a DSB |2 bicssc | |
| 072 | 7 | |a DS |2 bicssc | |
| 072 | 7 | |a GLF |2 bicssc | |
| 072 | 7 | |a JHMC |2 bicssc | |
| 100 | 1 | |a Elstermann, Annika |4 auth | |
| 245 | 1 | 0 | |a Chapter 3 Participatory Storytelling |
| 260 | |b Taylor & Francis |c 2023 | ||
| 300 | |a 1 electronic resource (51 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a This chapter introduces the idea of a postformalist aesthetic theory of reconstructing remote artefacts aesthetic statuses. The case is immune to the misgivings about aesthetic enquiry prevalent in the humanities and social sciences, since it does not assume that recovering such statuses involves experiencing the artefacts potential to provide an intrinsically rewarding gratification of the senses, of the intellect, or of both together. Postformalist aesthetics sees itself as part of a broad investigation into the nature of evaluative attitudes towards visually conspicuous artefacts. Such a broad investigation represents a necessary step towards establishing whether an object was meant to merit aesthetic attention. | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
| 546 | |a English | ||
| 650 | 7 | |a Literary studies: general |2 bicssc | |
| 650 | 7 | |a Literature: history & criticism |2 bicssc | |
| 650 | 7 | |a IT, Internet & electronic resources in libraries |2 bicssc | |
| 650 | 7 | |a Social & cultural anthropology, ethnography |2 bicssc | |
| 653 | |a Storytelling, Barthes, readers, Paratext, Death of the author | ||
| 773 | 1 | 0 | |7 nnaa |o OAPEN Library UUID: Digital Literature and Critical Theory |
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/62469/1/9781003361909_10.4324_9781003361909-4.pdf |7 0 |z DOAB: download the publication |
| 856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/99191 |7 0 |z DOAB: description of the publication |