Writing in Limbo Modernism and Caribbean Literature
In Simon Gikandi's view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity-a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting i...
Saved in:
Main Author: | |
---|---|
Format: | Electronic Book Chapter |
Language: | English |
Published: |
Ithaca
Cornell University Press
1992
|
Subjects: | |
Online Access: | DOAB: download the publication DOAB: description of the publication |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
LEADER | 00000naaaa2200000uu 4500 | ||
---|---|---|---|
001 | doab_20_500_12854_99383 | ||
005 | 20230418 | ||
003 | oapen | ||
006 | m o d | ||
007 | cr|mn|---annan | ||
008 | 20230418s1992 xx |||||o ||| 0|eng d | ||
020 | |a n3pe-g852 | ||
020 | |a 9781501722936 | ||
020 | |a 9780801425752 | ||
020 | |a 9781501722943 | ||
020 | |a 9781501719905 | ||
040 | |a oapen |c oapen | ||
024 | 7 | |a 10.7298/n3pe-g852 |c doi | |
041 | 0 | |a eng | |
042 | |a dc | ||
072 | 7 | |a DSBH5 |2 bicssc | |
072 | 7 | |a DSBH |2 bicssc | |
100 | 1 | |a Gikandi, Simon |4 auth | |
245 | 1 | 0 | |a Writing in Limbo |b Modernism and Caribbean Literature |
260 | |a Ithaca |b Cornell University Press |c 1992 | ||
300 | |a 1 electronic resource (276 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a In Simon Gikandi's view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity-a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. ; In Simon Gikandi's view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity-a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. | ||
536 | |a National Endowment for the Humanities | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
546 | |a English | ||
650 | 7 | |a Literary studies: post-colonial literature |2 bicssc | |
650 | 7 | |a Literary studies: from c 1900 - |2 bicssc | |
653 | |a Literature: history and criticism | ||
653 | |a Literary studies: c 1900 to c 2000 | ||
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/62084/1/9781501722936.pdf |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/99383 |7 0 |z DOAB: description of the publication |