Comics of the New Europe Reflections and Intersections
Bringing together the work of an array of North American and European scholars, this collection highlights a previously unexamined area within global comics studies. It analyses comics from countries formerly behind the Iron Curtain like East Germany, Poland, Czech Republic, Hungary, Romania, Yugosl...
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Other Authors: | , |
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Format: | Electronic Book Chapter |
Language: | English |
Published: |
Leuven
Leuven University Press
2023
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Series: | Studies in European Comics and Graphic Novels
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Subjects: | |
Online Access: | DOAB: download the publication DOAB: description of the publication |
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100 | 1 | |a Kuhlman, Martha |4 edt | |
700 | 1 | |a Alaniz, José |4 edt | |
700 | 1 | |a Kuhlman, Martha |4 oth | |
700 | 1 | |a Alaniz, José |4 oth | |
245 | 1 | 0 | |a Comics of the New Europe |b Reflections and Intersections |
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490 | 1 | |a Studies in European Comics and Graphic Novels | |
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a Bringing together the work of an array of North American and European scholars, this collection highlights a previously unexamined area within global comics studies. It analyses comics from countries formerly behind the Iron Curtain like East Germany, Poland, Czech Republic, Hungary, Romania, Yugoslavia, and Ukraine, given their shared history of WWII and communism. In addition to situating these graphic narratives in their national and subnational contexts, Comics of the New Europepays particular attention to transnational connections along the common themes of nostalgia, memoir, and life under communism. The essays offer insights into a new generation of European cartoonists that looks forward, inspired and informed by traditions from Franco-Belgian and American comics, and back, as they use the medium of comics to reexamine and reevaluate not only their national pasts and respective comics traditions but also their own post-1989 identities and experiences. | ||
520 | |a Contributors: Max Bledstein (University of Winnipeg), Dragana Obradović (University of Toronto), Aleksandra Sekulić (University of Arts in Belgrade), Pavel Kořínek (Institute of Czech Literature, Czech Academy of Sciences in Prague), Martin Foret (Palacký University), Michael Scholz (Uppsala University), Sean Eedy (Carleton University), Elizabeth Nijdam (University of British Columbia), Ewa Stańczyk (University of Amsterdam), Eszter Szép (Eötvös Loránd University) This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). | ||
536 | |a Knowledge Unlatched | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
546 | |a English | ||
650 | 7 | |a Graphic novels: history & criticism |2 bicssc | |
653 | |a European Comics;Transnational Comics;Graphic Narrative;Graphic narrative Memoir;Graphic narrative and History;Autographics | ||
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/62880/1/9789461665270.pdf |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/99907 |7 0 |z DOAB: description of the publication |