Literary Arrangement of Folklore Plots into the Language of Fiction: The Poem by G. Tukay «SU Anasy» through the Prism of the Folklore and Mythological Basis of the Work
The article is the first attempt to determine the peculiarities of the perception of folklore and mythological plots, with the image of Su Anasy in the center, by Tatar fiction. The relevance and significance of the present research is determined by the lacunarity of this scientific topic in the mod...
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Publishing house "Sreda",
2021-06-01T00:00:00Z.
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LEADER | 00000 am a22000003u 4500 | ||
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001 | doaj_502a31d9cab349c88aea1f81b3a304ce | ||
042 | |a dc | ||
100 | 1 | 0 | |a Saviia G. Samitova |e author |
245 | 0 | 0 | |a Literary Arrangement of Folklore Plots into the Language of Fiction: The Poem by G. Tukay «SU Anasy» through the Prism of the Folklore and Mythological Basis of the Work |
260 | |b Publishing house "Sreda", |c 2021-06-01T00:00:00Z. | ||
500 | |a 2713-1688 | ||
500 | |a 2713-1696 | ||
500 | |a 10.31483/r-98605 | ||
520 | |a The article is the first attempt to determine the peculiarities of the perception of folklore and mythological plots, with the image of Su Anasy in the center, by Tatar fiction. The relevance and significance of the present research is determined by the lacunarity of this scientific topic in the modern Turkology research. The investigation reflected in this article is based on the use of comparative, systemic, functional and genetic methods, as well as the reconstruction method. The use of these methods is determined by the desire to present a comprehensive analysis of the multifactorial influence of the folklore and mythological specifics of the Su Anasy image on its plot, ideological, ethical and aesthetic adaptation to the field of fiction, that is the aim of the present work. In the course of the analysis, it was established that the central image of the poem of Tatar classic G. Tukay is a kind of quintessence of the traditional worldview of the Tatar ethnos, accumulating the most archaic, basic epistemological and axiological constants. The revealed fact of the dialogue between folklore and imaginative literature, forms an ethnically marked consonance between the two varieties of verbal creativity, and we can claim that this very statement explains the fact that several generations of literary scholars assess the Gabdulla Tukay's «Su Anasy» as a truly folk work. | ||
546 | |a EN | ||
546 | |a RU | ||
690 | |a Su Anasy | ||
690 | |a Tatar folklore | ||
690 | |a amplification | ||
690 | |a interpretation | ||
690 | |a literary arrangement | ||
690 | |a mythology | ||
690 | |a Education | ||
690 | |a L | ||
655 | 7 | |a article |2 local | |
786 | 0 | |n Этническая культура, Vol 3, Iss 2, Pp 39-42 (2021) | |
787 | 0 | |n https://doi.org/10.31483/r-98605 | |
787 | 0 | |n https://doaj.org/toc/2713-1688 | |
787 | 0 | |n https://doaj.org/toc/2713-1696 | |
856 | 4 | 1 | |u https://doaj.org/article/502a31d9cab349c88aea1f81b3a304ce |z Connect to this object online. |