The Global Politics of Jazz in the Twentieth Century Cultural Diplomacy and "American Music"
From the mid-1950s to the late 1970s, jazz was harnessed as America's "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world - including to an array...
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Format: | Electronic Book Chapter |
Language: | English |
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Taylor & Francis
2020
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Online Access: | OAPEN Library: description of the publication |
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100 | 1 | |a Saito, Yoshiomi |4 auth | |
245 | 1 | 0 | |a The Global Politics of Jazz in the Twentieth Century |b Cultural Diplomacy and "American Music" |
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520 | |a From the mid-1950s to the late 1970s, jazz was harnessed as America's "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world - including to an array of Communist countries - as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz - thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies - shedding light on the effectiveness of jazz as an instrument of state power within a global political context. | ||
540 | |a All rights reserved |4 http://oapen.org/content/about-rights | ||
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653 | |a politics | ||
653 | |a international relations | ||
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