Chapter There's Always the Sun Metaphysics and Antiquarianism in Macrobius

The present paper asks how Macrobius thinks his extensive allegories of statues of the gods and other elements of traditional religion are possible. He can be shown to espouse a Neoplatonic theory of images. This entails that truthful images are only possible of the Soul and the lower levels of the...

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第一著者: Van Nuffelen, Peter (auth)
その他の著者: Hömke, Nicola (編集者), Franco Chiai, Gian (編集者), Jenik, Antonia (編集者)
フォーマット: 電子媒体 図書の章
言語:英語
出版事項: Berlin/Boston De Gruyter 2016
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要約:The present paper asks how Macrobius thinks his extensive allegories of statues of the gods and other elements of traditional religion are possible. He can be shown to espouse a Neoplatonic theory of images. This entails that truthful images are only possible of the Soul and the lower levels of the world, whereas the two highest hypostases cannot be grasped by language and man-made images. Even so, as the sun is an image of the highest principle, Macrobius' reduction of all deities to the sun can be understood as a discourse on the highest deity, albeit obliquely. How are images, then, truthful? He defends a common theory of inspiration, according to which the creators of images participate in the Logos when creating them. Philosophy is seen as the primordial discipline, containing the knowledge necessary to create and interpret images. These conclusions allow us to pinpoint more precisely the differences between Middle and Neoplatonism.
ISBN:9783110517569-006
9783110516739; 9783110517040
アクセス:Open Access