Museums in a Digital Culture
The experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn...
Gorde:
| Beste egile batzuk: | , |
|---|---|
| Formatua: | Baliabide elektronikoa Liburu kapitulua |
| Hizkuntza: | ingelesa |
| Argitaratua: |
Amsterdam
Amsterdam University Press
2017
|
| Gaiak: | |
| Sarrera elektronikoa: | OAPEN Library: download the publication OAPEN Library: description of the publication |
| Etiketak: |
Etiketa erantsi
Etiketarik gabe, Izan zaitez lehena erregistro honi etiketa jartzen!
|
MARC
| LEADER | 00000naaaa2200000uu 4500 | ||
|---|---|---|---|
| 001 | oapen_2024_20_500_12657_24462 | ||
| 005 | 20200327 | ||
| 003 | oapen | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20200327s2017 xx |||||o ||| 0|eng d | ||
| 020 | |a 9789048524808 | ||
| 020 | |a 9789089646613 | ||
| 040 | |a oapen |c oapen | ||
| 024 | 7 | |a 10.1515/9789048524808 |c doi | |
| 041 | 0 | |a eng | |
| 042 | |a dc | ||
| 072 | 7 | |a AB |2 bicssc | |
| 072 | 7 | |a AFKV |2 bicssc | |
| 072 | 7 | |a UG |2 bicssc | |
| 100 | 1 | |a van den Akker, Chiel |4 edt | |
| 700 | 1 | |a Legêne, Susan |4 edt | |
| 700 | 1 | |a van den Akker, Chiel |4 oth | |
| 700 | 1 | |a Legêne, Susan |4 oth | |
| 245 | 1 | 0 | |a Museums in a Digital Culture |
| 260 | |a Amsterdam |b Amsterdam University Press |c 2017 | ||
| 300 | |a 1 electronic resource (146 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a The experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn't possible until very recently. This collection of essays takes up the question of the cultural meaning of the information and communications technology that makes these new engagements possible, asking questions like: How should we theorise the sensory experience of art and heritage? What does information technology mean for the authority and ownership of heritage? | ||
| 536 | |a Nederlandse Organisatie voor Wetenschappelijk Onderzoek | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
| 546 | |a English | ||
| 650 | 7 | |a The arts: general issues |2 bicssc | |
| 650 | 7 | |a Electronic, holographic & video art |2 bicssc | |
| 650 | 7 | |a Graphical & digital media applications |2 bicssc | |
| 653 | |a Educational administration & organization | ||
| 653 | |a Educational strategies & policy | ||
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/id/7a3ec93c-f044-418f-8f9f-4700d071c1d2/1005653.pdf |7 0 |z OAPEN Library: download the publication |
| 856 | 4 | 0 | |a www.oapen.org |u http://library.oapen.org/handle/20.500.12657/24462 |7 0 |z OAPEN Library: description of the publication |