The Cinema of Marguerite Duras Multisensoriality and Female Subjectivity

The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worke...

Ful tanımlama

Kaydedildi:
Detaylı Bibliyografya
Yazar: Royer, Michelle (auth)
Materyal Türü: Elektronik Kitap Bölümü
Dil:İngilizce
Baskı/Yayın Bilgisi: Edinburgh, UK Edinburgh University Press 2019
Konular:
Online Erişim:OAPEN Library: download the publication
OAPEN Library: description of the publication
Etiketler: Etiketle
Etiket eklenmemiş, İlk siz ekleyin!

MARC

LEADER 00000naaaa2200000uu 4500
001 oapen_2024_20_500_12657_25078
005 20190530
003 oapen
006 m o d
007 cr|mn|---annan
008 20190530s2019 xx |||||o ||| 0|eng d
020 |a 9781474427869;9781474427876 
040 |a oapen  |c oapen 
041 0 |a eng 
042 |a dc 
072 7 |a 1DDF  |2 bicssc 
100 1 |a Royer, Michelle  |4 auth 
245 1 0 |a The Cinema of Marguerite Duras  |b Multisensoriality and Female Subjectivity 
260 |a Edinburgh, UK  |b Edinburgh University Press  |c 2019 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective. 
536 |a Knowledge Unlatched 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nd/4.0/legalcode  |2 cc  |4 https://creativecommons.org/licenses/by-nd/4.0/legalcode 
546 |a English 
650 7 |a France  |2 bicssc 
653 |a Media & Communications 
653 |a Cinema 
653 |a Duras 
653 |a Female 
653 |a Marguerite Duras 
653 |a Marguerite 
653 |a Multisensoriality 
653 |a Royer 
653 |a Subjectivity 
653 |a Michelle Royer 
653 |a BISACPER004030 
653 |a BISACPER004040 
653 |a BISACPHI001000 
653 |a BISACSOC010000 
653 |a BICAPFA 
653 |a BICAPFB 
653 |a BICAPFN 
653 |a BICHPN 
653 |a BICJFSJ1 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/id/17249a3c-cfd8-44b7-85d0-9ed9aae5bd6d/1005016.pdf  |7 0  |z OAPEN Library: download the publication 
856 4 0 |a www.oapen.org  |u http://library.oapen.org/handle/20.500.12657/25078  |7 0  |z OAPEN Library: description of the publication