Humour and Laughter in History Transcultural Perspectives
Humour can be used as a »weapon« or as a means of coping with problematic historical events, especially in times of war and crisis. The book presents examples from different cultures (Russia, Europe, USA), from different historical epochs (from the Napoleonic era up to the current time) and from dif...
Saved in:
| Other Authors: | , |
|---|---|
| Format: | Electronic Book Chapter |
| Language: | English |
| Published: |
Bielefeld, Germany
transcript Verlag
2014
|
| Subjects: | |
| Online Access: | OAPEN Library: download the publication OAPEN Library: description of the publication |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
| LEADER | 00000naaaa2200000uu 4500 | ||
|---|---|---|---|
| 001 | oapen_2024_20_500_12657_25379 | ||
| 005 | 20190327 | ||
| 003 | oapen | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20190327s2014 xx |||||o ||| 0|eng d | ||
| 020 | |a /dx.doi.org/10.14361/transcript.9783839428580 | ||
| 020 | |a 9783839428580 | ||
| 040 | |a oapen |c oapen | ||
| 024 | 7 | |a http://dx.doi.org/10.14361/transcript.9783839428580 |c doi | |
| 041 | 0 | |a eng | |
| 042 | |a dc | ||
| 072 | 7 | |a HBTB |2 bicssc | |
| 100 | 1 | |a Cheauré, Elisabeth |4 edt | |
| 700 | 1 | |a Nohejl, Regine |4 edt | |
| 700 | 1 | |a Cheauré, Elisabeth |4 oth | |
| 700 | 1 | |a Nohejl, Regine |4 oth | |
| 245 | 1 | 0 | |a Humour and Laughter in History |b Transcultural Perspectives |
| 260 | |a Bielefeld, Germany |b transcript Verlag |c 2014 | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a Humour can be used as a »weapon« or as a means of coping with problematic historical events, especially in times of war and crisis. The book presents examples from different cultures (Russia, Europe, USA), from different historical epochs (from the Napoleonic era up to the current time) and from different medias (caricature, journalism, film). By looking at the individual cases it becomes possible to recognize some general structural patterns and to gain a deeper insight into the »functioning« of humour and laughter. | ||
| 536 | |a Knowledge Unlatched | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode | ||
| 546 | |a English | ||
| 650 | 7 | |a Social & cultural history |2 bicssc | |
| 653 | |a History | ||
| 653 | |a History | ||
| 653 | |a Humour | ||
| 653 | |a War | ||
| 653 | |a Caricature | ||
| 653 | |a Film | ||
| 653 | |a Transculture | ||
| 653 | |a Cultural History | ||
| 653 | |a Memory Culture | ||
| 653 | |a Cultural Studies | ||
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/id/3088bc24-f9fe-4ded-b7b0-e4ace7242427/1004717.pdf |7 0 |z OAPEN Library: download the publication |
| 856 | 4 | 0 | |a www.oapen.org |u http://library.oapen.org/handle/20.500.12657/25379 |7 0 |z OAPEN Library: description of the publication |