The Divo and the Duce Promoting Film Stardom and Political Leadership in 1920s America

In the climate of isolationism, nativism, democratic expansion of civic rights, and consumerism that America experienced after the First World War, Italian-born movie star Rudolph Valentino and Italy's dictator, Benito Mussolini, became surprisingly appealing emblems of authoritarian male power...

Full description

Saved in:
Bibliographic Details
Main Author: Bertellini, Giorgio (auth)
Format: Electronic Book Chapter
Language:English
Published: Oakland University of California Press 2019
Subjects:
Online Access:OAPEN Library: download the publication
OAPEN Library: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 oapen_2024_20_500_12657_25825
005 20190304
003 oapen
006 m o d
007 cr|mn|---annan
008 20190304s2019 xx |||||o ||| 0|eng d
020 |a luminos.62 
020 |a 9780520301368 
040 |a oapen  |c oapen 
024 7 |a 10.1525/luminos.62  |c doi 
041 0 |a eng 
042 |a dc 
072 7 |a HB  |2 bicssc 
072 7 |a JFD  |2 bicssc 
100 1 |a Bertellini, Giorgio  |4 auth 
245 1 0 |a The Divo and the Duce  |b Promoting Film Stardom and Political Leadership in 1920s America 
260 |a Oakland  |b University of California Press  |c 2019 
300 |a 1 electronic resource (329 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a In the climate of isolationism, nativism, democratic expansion of civic rights, and consumerism that America experienced after the First World War, Italian-born movie star Rudolph Valentino and Italy's dictator, Benito Mussolini, became surprisingly appealing emblems of authoritarian male power. Drawing on extensive research in the United States and Italy, Bertellini's work shows how the political and erotic popularity of Valentino, the Divo, and Mussolini, the Duce, was not just the result of spontaneous popular enthusiasm. Instead, Bertellini argues, it also depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. As such, the fame of the Divo and the Duce reveals both the converging publicity work undertaken in Hollywood and Washington since the Great War and the extent to which their foreignness was put to work in managing postwar anxieties about democratic governance. Beyond the democratic celebrations of the Jazz Age, this promotion of charismatic masculinity, while short-lived, inaugurated the now-familiar convergence of popular celebrity and political authority. 
540 |a Creative Commons  |f by/4.0/  |2 cc  |4 http://creativecommons.org/licenses/by/4.0/ 
546 |a English 
650 7 |a History  |2 bicssc 
650 7 |a Media studies  |2 bicssc 
653 |a silent cinema 
653 |a fascism 
653 |a celebrity 
653 |a film stardom 
653 |a dictatorship 
653 |a democracy 
653 |a promotion 
653 |a publicity 
653 |a charisma 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/id/b4e61f97-34af-42ca-8500-0eaa31bac489/the-divo-and-the-duce.pdf  |7 0  |z OAPEN Library: download the publication 
856 4 0 |a www.oapen.org  |u http://library.oapen.org/handle/20.500.12657/25825  |7 0  |z OAPEN Library: description of the publication