World Building Transmedia, Fans, Industries

This edited collection of original essays situates itself at the cutting edge of media theory, exploring imaginary worlds as forms of knowledge and forms of life. By exploring the concept of worlds from theoretical and practical perspectives, this book puts forward a unique and original starting poi...

Full description

Saved in:
Bibliographic Details
Other Authors: Boni, Marta (Editor)
Format: Electronic Book Chapter
Language:English
Published: Amsterdam Amsterdam University Press 2017
Series:Transmedia
Subjects:
Online Access:OAPEN Library: download the publication
OAPEN Library: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 oapen_2024_20_500_12657_25975
005 20190130
003 oapen
006 m o d
007 cr|mn|---annan
008 20190130s2017 xx |||||o ||| 0|eng d
020 |a j.ctt1zkjz0m 
020 |a 9789089647566 
040 |a oapen  |c oapen 
024 7 |a 10.2307/j.ctt1zkjz0m  |c doi 
041 0 |a eng 
042 |a dc 
072 7 |a APFA  |2 bicssc 
100 1 |a Boni, Marta  |4 edt 
700 1 |a Boni, Marta  |4 oth 
245 1 0 |a World Building  |b Transmedia, Fans, Industries 
260 |a Amsterdam  |b Amsterdam University Press  |c 2017 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Transmedia 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a This edited collection of original essays situates itself at the cutting edge of media theory, exploring imaginary worlds as forms of knowledge and forms of life. By exploring the concept of worlds from theoretical and practical perspectives, this book puts forward a unique and original starting point for rethinking media theory, going beyond the notion of communication and understanding the role of worlds in interaction rituals as well as the building of values and meaning in contemporary society.In recent years, due to digital distribution and the integration of social networking and entertainment content, viewing strategies and narrative forms are undergoing important changes. Notably, we are faced with the rise of multi- platform conglomerates, in which film, television, Internet, graphic novels, toys, and virtual environments create heterogeneous yet compact universes, recognizable as brands and having a well-defined semiotic identity. Scholars are looking for new theoretical tools to understand the role of contemporary new media in these phenomena and the increasingly central place that viewers hold in exploring, mapping, interpreting and expanding story worlds. On the one hand, Internet networks are increasingly studied as the environment for the emergence of forms of consumption through fragments. As Henry Jenkins recently underlined, media become spreadable (Jenkins, Ford, Green 2013). On the other, the observation of production practices in the contemporary media sphere shows that, instead of being only fluid and ephemeral elements, media fragments sometimes converge in persistent and heterogeneous spaces built from multiple contributions and comparable to worlds. Media creators don't merely forge stories or characters. Instead, they build worlds: fictional worlds, character worlds, alternative worlds... 
536 |a Knowledge Unlatched 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode  |2 cc  |4 https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode 
546 |a English 
650 7 |a Film theory & criticism  |2 bicssc 
653 |a Media & Communications 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/id/0b795968-e2d2-40c5-a085-bed7f1d7f42c/1004106.pdf  |7 0  |z OAPEN Library: download the publication 
856 4 0 |a www.oapen.org  |u http://library.oapen.org/handle/20.500.12657/25975  |7 0  |z OAPEN Library: description of the publication