Musik und Dichtung Das musikalische Element in der Lyrik Pasternaks
Subject of this essay is the investigation of the relationship between music and poetry in the poetry of Pasternak. In the main part then the meaning of music in Pasternak's poetry is to be examined in a double sense - on technical-stylistic and on motivic level, where in the first area in addi...
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Format: | Electronic Book Chapter |
Published: |
Bern
Peter Lang International Academic Publishers
1998
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Series: | Slavistische Beitraege
359 |
Subjects: | |
Online Access: | OAPEN Library: download the publication OAPEN Library: description of the publication |
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100 | 1 | |a Fischer, Christine |4 auth | |
245 | 1 | 0 | |a Musik und Dichtung |b Das musikalische Element in der Lyrik Pasternaks |
260 | |a Bern |b Peter Lang International Academic Publishers |c 1998 | ||
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490 | 1 | |a Slavistische Beitraege |v 359 | |
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520 | |a Subject of this essay is the investigation of the relationship between music and poetry in the poetry of Pasternak. In the main part then the meaning of music in Pasternak's poetry is to be examined in a double sense - on technical-stylistic and on motivic level, where in the first area in addition to the formative means of poetry (such as metric, rhyming and stanza forms) and certain methods of special coupling be analyzed by sound and meaning. The second part of the main part, in addition to the "real" music history in Pasternak's poetry (such as the mention of composer names and musical instruments), includes the study of literary leitmotifs associated with music, such as birds, wind, water, sound and silence | ||
520 | |a Thema dieser Abhandlung ist die Untersuchung der Bezüge zwischen Musik und Dichtung in der Lyrik Pasternaks. Im Hauptteil soll sodann die Bedeutung der Musik in Pasternaks Lyrik in doppeltem Sinne untersucht werden - auf verstechnisch-stilistischer und auf motivischer Ebene, wobei im ersten Bereich neben den Formmitteln der Lyrik (wie Metrik, Reim- und Strophenformen) auch bestimmte Verfahren der besonderen Koppelung von Laut und Bedeutung analysiert werden. Der zweite Bereich des Hauptteils umfaßt neben der "realen" Musikgeschichte in Pasternaks Lyrik (etwa der Erwähnung von Komponistennamen und Musikinstrumenten) vor allem die Untersuchung literarischer Leitmotive, die mit der Musik in Verbindung stehen, wie insbesondere Vögel, Wind, Wasser, Klang und Stille. | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by/4.0/legalcode |2 cc |4 https://creativecommons.org/licenses/by/4.0/legalcode | ||
546 | |a German | ||
650 | 7 | |a Music |2 bicssc | |
653 | |a Dichtung | ||
653 | |a Element | ||
653 | |a Fischer | ||
653 | |a Formmitteln der Lyrik | ||
653 | |a Koppelung von Laut und Bedeutung | ||
653 | |a literarische Leitmotive | ||
653 | |a Lyrik | ||
653 | |a Musik | ||
653 | |a musikalische | ||
653 | |a Pasternaks | ||
653 | |a Romantik | ||
653 | |a russische Lyrik | ||
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856 | 4 | 0 | |a www.oapen.org |u http://library.oapen.org/handle/20.500.12657/26204 |7 0 |z OAPEN Library: description of the publication |