Middlebrow Modernism Britten's Operas and the Great Divide
Situated at the intersection between the history, historiography and aesthetics of twentieth-century music, this study uses Benjamin Britten's operas to illustrate the ways in which composers, critics and audiences mediated the "great divide" between modernism and mass culture. Revivi...
Đã lưu trong:
| Tác giả chính: | |
|---|---|
| Định dạng: | Điện tử Chương của sách |
| Ngôn ngữ: | Tiếng Anh |
| Được phát hành: |
Oakland
University of California Press
2018
|
| Những chủ đề: | |
| Truy cập trực tuyến: | OAPEN Library: download the publication OAPEN Library: description of the publication |
| Các nhãn: |
Thêm thẻ
Không có thẻ, Là người đầu tiên thẻ bản ghi này!
|
| Tóm tắt: | Situated at the intersection between the history, historiography and aesthetics of twentieth-century music, this study uses Benjamin Britten's operas to illustrate the ways in which composers, critics and audiences mediated the "great divide" between modernism and mass culture. Reviving mid-century discussions of the "middlebrow," Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it: to revel in the pleasures of consonance, lyricism and theatrical spectacle, even while enjoying the prestige that came from rejecting them. By focusing on moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of grey in the black-and-white historiographies of twentieth-century music. |
|---|---|
| Mô tả vật lý: | 1 electronic resource (245 p.) |
| số ISBN: | luminos.57 9780520298651 |
| Truy cập: | Open Access |