The Witness as Object Video Testimonies in Holocaust Museums
Today more than ever before, the historical witness is now a "museum object" in the form of video interviews with individuals remembering events of historical importance. Such video testimonies now not only are part of the collections and research activities of museums, but become deeply i...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic Book Chapter |
| Language: | English |
| Published: |
Berghahn Books
2018
|
| Series: | Museums & Collections
|
| Subjects: | |
| Online Access: | OAPEN Library: download the publication OAPEN Library: description of the publication |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
| LEADER | 00000naaaa2200000uu 4500 | ||
|---|---|---|---|
| 001 | oapen_2024_20_500_12657_30009 | ||
| 005 | 20180518 | ||
| 003 | oapen | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20180518s2018 xx |||||o ||| 0|eng d | ||
| 020 | |a j.ctv3znzsd | ||
| 020 | |a 9781785336430;9781785336447 | ||
| 040 | |a oapen |c oapen | ||
| 024 | 7 | |a 10.2307/j.ctv3znzsd |c doi | |
| 041 | 0 | |a eng | |
| 042 | |a dc | ||
| 072 | 7 | |a GM |2 bicssc | |
| 100 | 1 | |a de Jong, Steffi |4 auth | |
| 245 | 1 | 0 | |a The Witness as Object |b Video Testimonies in Holocaust Museums |
| 260 | |b Berghahn Books |c 2018 | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Museums & Collections | |
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a Today more than ever before, the historical witness is now a "museum object" in the form of video interviews with individuals remembering events of historical importance. Such video testimonies now not only are part of the collections and research activities of museums, but become deeply intertwined with narrative and exhibit design. With a focus on Holocaust museums, this study scrutinizes for the first time this new global process of "musealisation" of testimony, exploring the processes, prerequisites, and consequences of the transformation of video testimonies into exhibits. | ||
| 536 | |a Knowledge Unlatched | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode | ||
| 546 | |a English | ||
| 650 | 7 | |a Museology & heritage studies |2 bicssc | |
| 653 | |a History | ||
| 653 | |a Holocaust | ||
| 653 | |a video exhibits | ||
| 653 | |a testimony | ||
| 653 | |a public memory | ||
| 653 | |a public history | ||
| 653 | |a Bergen-Belsen concentration camp | ||
| 653 | |a Imperial War Museum | ||
| 653 | |a The Holocaust | ||
| 653 | |a Yad Vashem | ||
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/id/5a781101-95ce-4779-8a6f-0dc19f584b32/650084.pdf |7 0 |z OAPEN Library: download the publication |
| 856 | 4 | 0 | |a www.oapen.org |u http://library.oapen.org/handle/20.500.12657/30009 |7 0 |z OAPEN Library: description of the publication |