Making and Unmaking in Early Modern English Drama Spectators, Aesthetics and Incompletion
Exploring the significance of visual things that are 'under construction' in works by playwrights. Illustrated with examples, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Why are early modern English dramatists preoccupied with unfinished...
Sábháilte in:
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| Formáid: | Leictreonach Caibidil leabhair |
| Teanga: | Béarla |
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Manchester
Manchester University Press
2014
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| Ábhair: | |
| Rochtain ar líne: | OAPEN Library: download the publication OAPEN Library: description of the publication |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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| Achoimre: | Exploring the significance of visual things that are 'under construction' in works by playwrights. Illustrated with examples, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Why are early modern English dramatists preoccupied with unfinished processes of 'making' and 'unmaking'? And what did 'finished' or 'incomplete' mean for spectators of plays and visual works in this period? Making and unmaking in early modern English drama is about the prevalence and significance of visual things that are 'under construction' in early modern plays. Contributing to challenges to the well-worn narrative of 'iconophobic' early modern English culture, it explores the drama as a part of a lively post-Reformation visual world. Interrogating the centrality of concepts of 'fragmentation' and 'wholeness' in critical approaches to this period, it opens up new interpretations of the place of aesthetic form in early modern culture. |
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| ISBN: | mupoa/9781847798916 9780719084973 |
| Rochtain: | Open Access |