Theatre and War Notes from the Field

"Nandita Dinesh places Kipling's ""six honest serving-men"" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This...

Full description

Saved in:
Bibliographic Details
Main Author: Dinesh, Nandita (auth)
Format: Electronic Book Chapter
Language:English
Published: Open Book Publishers 2016
Subjects:
Online Access:OAPEN Library: download the publication
OAPEN Library: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 oapen_2024_20_500_12657_30334
005 20180403
003 oapen
006 m o d
007 cr|mn|---annan
008 20180403s2016 xx |||||o ||| 0|eng d
020 |a OBP.0099 
020 |a 9781783742585 
040 |a oapen  |c oapen 
024 7 |a 10.11647/OBP.0099  |c doi 
041 0 |a eng 
042 |a dc 
072 7 |a AN  |2 bicssc 
072 7 |a ANF  |2 bicssc 
072 7 |a JH  |2 bicssc 
100 1 |a Dinesh, Nandita  |4 auth 
245 1 0 |a Theatre and War  |b Notes from the Field 
260 |b Open Book Publishers  |c 2016 
300 |a 1 electronic resource (210 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a "Nandita Dinesh places Kipling's ""six honest serving-men"" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh's personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such interventions. In pursuit of answers, Theatre and War adopts the methods of auto-ethnography, positioning the theatrical practitioner at the heart of conflict zones in northern Uganda, Guatemala, Northern Ireland, Mexico, Rwanda, Kenya, Nagaland, and Kashmir. No longer a detached observer, the researcher and practitioner has to be able to meld theory with practice; to speak to 'doing', without undervaluing the importance of 'thinking about doing'. Each chapter approaches the need for a synthesis of theory and practice by way of a term of inquiry-Why, Where, Who, What, When-and each is equipped with a set of unflinchingly honest field notes that are designed to reveal some of the 'hows' from the author's own repertoire: questions and issues that were encountered during her own theatrical undertakings, along with first hand reflection on the complexities, potential, and challenges that attended her global work in community theatre. Within these notes are strategies that give the reader a practical insight into how the discussion might find its footing on the ground of war. The range and scope of this book make it required reading for those interested in theatre-practitioners, researchers, and students alike-as well as those seeking to understand the applications of the arts for ethics, politics, and education. " 
540 |a Creative Commons  |f by/4.0/  |2 cc  |4 http://creativecommons.org/licenses/by/4.0/ 
546 |a English 
650 7 |a Theatre studies  |2 bicssc 
650 7 |a Theatre direction & production  |2 bicssc 
650 7 |a Sociology & anthropology  |2 bicssc 
653 |a performances 
653 |a ethics 
653 |a theatre 
653 |a etnography 
653 |a war 
653 |a community theatre 
653 |a Aegean dispute 
653 |a Afterlife 
653 |a Armenia 
653 |a India 
653 |a Intentionality 
653 |a Kashmir 
653 |a Rwanda 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/id/4a0f3120-65d9-4df7-8cff-ad4efe67768a/646665.pdf  |7 0  |z OAPEN Library: download the publication 
856 4 0 |a www.oapen.org  |u http://library.oapen.org/handle/20.500.12657/30334  |7 0  |z OAPEN Library: description of the publication