Gathering Ecologies Thinking Beyond Interactivity
What might an interactive artwork look like that enabled greater expressive potential for all of the components of the event? How can we radically shift our idea of interactivity towards an ecological conception of the term, emphasising the generation of complex relation over the stability of object...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic Book Chapter |
| Language: | English |
| Published: |
Open Humanities Press
2018
|
| Series: | Immediations serie
|
| Subjects: | |
| Online Access: | OAPEN Library: download the publication OAPEN Library: description of the publication |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
| LEADER | 00000naaaa2200000uu 4500 | ||
|---|---|---|---|
| 001 | oapen_2024_20_500_12657_30501 | ||
| 005 | 20180327 | ||
| 003 | oapen | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20180327s2018 xx |||||o ||| 0|eng d | ||
| 020 | |a 9781785420535 | ||
| 040 | |a oapen |c oapen | ||
| 041 | 0 | |a eng | |
| 042 | |a dc | ||
| 072 | 7 | |a PSAF |2 bicssc | |
| 100 | 1 | |a Goodman, Andrew |4 auth | |
| 245 | 1 | 0 | |a Gathering Ecologies |b Thinking Beyond Interactivity |
| 260 | |b Open Humanities Press |c 2018 | ||
| 300 | |a 1 electronic resource (347 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Immediations serie | |
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a What might an interactive artwork look like that enabled greater expressive potential for all of the components of the event? How can we radically shift our idea of interactivity towards an ecological conception of the term, emphasising the generation of complex relation over the stability of objects and subjects? Gathering Ecologies explores this ethical and political shift in thinking, examining the creative potential of differential relations through key concepts from the philosophies of A.N. Whitehead, Gilbert Simondon and Michel Serres. Utilising detailed examinations of work by artists such as Lygia Clark, Rafael Lozano-Hemmer, Nathaniel Stern and Joyce Hinterding, the book discusses the creative potential of movement, perception and sensation, interfacing, sound and generative algorithmic design to tune an event towards the conditions of its own ecological emergence. | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by-sa/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-sa/4.0/ | ||
| 546 | |a English | ||
| 650 | 7 | |a Ecological science, the Biosphere |2 bicssc | |
| 653 | |a interactivity | ||
| 653 | |a ecologies | ||
| 653 | |a Concrescence | ||
| 653 | |a Gilbert Simondon | ||
| 653 | |a Immanence | ||
| 653 | |a Individuation | ||
| 653 | |a Parasitism | ||
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/id/0a8900c5-24e6-4b5c-b880-66987353ee39/646116.pdf |7 0 |z OAPEN Library: download the publication |
| 856 | 4 | 0 | |a www.oapen.org |u http://library.oapen.org/handle/20.500.12657/30501 |7 0 |z OAPEN Library: description of the publication |