Early Film Cultures in Taiwan, Hong Kong, and Republican China Kaleidoscopic Histories
This collection explores the complex world of early cinema in China, Hong Kong, and Taiwan. The story of how cinema established itself in China has not been well-understood. Cultural models for cinema-going and industry practices varied widely across China. By looking at several centers of cinemat...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic Book Chapter |
| Language: | English |
| Published: |
Ann Arbor
University of Michigan Press
2018
|
| Subjects: | |
| Online Access: | OAPEN Library: download the publication OAPEN Library: description of the publication |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
| LEADER | 00000naaaa2200000uu 4500 | ||
|---|---|---|---|
| 001 | oapen_2024_20_500_12657_30550 | ||
| 005 | 20180201 | ||
| 003 | oapen | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20180201s2018 xx |||||o ||| 0|eng d | ||
| 020 | |a mpub.9731616 | ||
| 020 | |a 9780472123445 | ||
| 040 | |a oapen |c oapen | ||
| 024 | 7 | |a 10.3998/mpub.9731616 |c doi | |
| 041 | 0 | |a eng | |
| 042 | |a dc | ||
| 100 | 1 | |a Yeh, Emilie Yueh-yu |4 auth | |
| 245 | 1 | 0 | |a Early Film Cultures in Taiwan, Hong Kong, and Republican China |b Kaleidoscopic Histories |
| 260 | |a Ann Arbor |b University of Michigan Press |c 2018 | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a This collection explores the complex world of early cinema in China, Hong Kong, and Taiwan. The story of how cinema established itself in China has not been well-understood. Cultural models for cinema-going and industry practices varied widely across China. By looking at several centers of cinematic activity, going beyond commercial fiction film to include non-fiction films (such as educational film), and taking on Cantonese as well as Mandarin productions. Beyond the Silver Screens presents early cinema in China in a new light Highlights Hong Kong, Taipei and Guangzhou as well as better-know examples from Shanghai, these essays foreground the cinema's relationships with imperialism and colonialism, examining how cinematic culture established itself by adapting to distinctive local social and artistic practices, emphasizing the potency of cinema as a sociocultural institution. | ||
| 536 | |a Knowledge Unlatched | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode | ||
| 546 | |a English | ||
| 653 | |a Arts | ||
| 653 | |a Cantonese | ||
| 653 | |a China | ||
| 653 | |a Cinema of China | ||
| 653 | |a Guangzhou | ||
| 653 | |a History of China | ||
| 653 | |a Hong Kong | ||
| 653 | |a Magic lantern | ||
| 653 | |a Shanghai | ||
| 653 | |a Taiwan | ||
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/id/ffd7c590-a8e9-47d6-878f-f206b2acbe7c/645358.pdf |7 0 |z OAPEN Library: download the publication |
| 856 | 4 | 0 | |a www.oapen.org |u http://library.oapen.org/handle/20.500.12657/30550 |7 0 |z OAPEN Library: description of the publication |