The Field of Musical Improvisation
The central aim of this book is to present a new approach to "the field of musical improvisation" (FMI), a theory which understands improvisation as a nonlinear dynamic and complex system. The study provocatively argues that during an improvisation more actants are "at work" than...
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Format: | Electronic Book Chapter |
Language: | English |
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Leiden University Press
2017
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Online Access: | OAPEN Library: download the publication OAPEN Library: description of the publication |
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520 | |a The central aim of this book is to present a new approach to "the field of musical improvisation" (FMI), a theory which understands improvisation as a nonlinear dynamic and complex system. The study provocatively argues that during an improvisation more actants are "at work" than musicians alone: space, acoustics, instruments, audience, technicians, musical and socio-cultural backgrounds, technology, and the like all play a significant role. However, not all of these actants determine every improvisation to the same extent; some are more prominent and active than others in certain situations (periods, styles, cultures, as well as more singular circumstances). Therefore, the FMI theory will prove to be more than a theory dealing with improvisation "in general". Rather, FMI emphasizes singularity: each improvisation thus yields a different network of actants and interactions, a unique configuration or assembly. | ||
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653 | |a complexity theories | ||
653 | |a new materialism | ||
653 | |a music philosophy | ||
653 | |a music ecology | ||
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856 | 4 | 0 | |a www.oapen.org |u http://library.oapen.org/handle/20.500.12657/31169 |7 0 |z OAPEN Library: description of the publication |