Improvisation and Social Aesthetics
Addressing a wide range of improvised art and music forms-from jazz and cinema to dance and literature-this volume's contributors locate improvisation as a key site of mediation between the social and the aesthetic. As a catalyst for social experiment and political practice, improvisation aids...
Saved in:
Other Authors: | , , |
---|---|
Format: | Electronic Book Chapter |
Language: | English |
Published: |
Durham NC
Duke University Press
2017
|
Series: | Improvisation, Community, and Social Practice
|
Subjects: | |
Online Access: | OAPEN Library: download the publication OAPEN Library: description of the publication |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
LEADER | 00000naaaa2200000uu 4500 | ||
---|---|---|---|
001 | oapen_2024_20_500_12657_31500 | ||
005 | 20170301 | ||
003 | oapen | ||
006 | m o d | ||
007 | cr|mn|---annan | ||
008 | 20170301s2017 xx |||||o ||| 0|eng d | ||
020 | |a 9780822374015 | ||
020 | |a 9780822374015 | ||
040 | |a oapen |c oapen | ||
024 | 7 | |a 10.1215/9780822374015 |c doi | |
041 | 0 | |a eng | |
042 | |a dc | ||
072 | 7 | |a AV |2 bicssc | |
100 | 1 | |a Born, Georgina |4 edt | |
700 | 1 | |a Lewis, Eric |4 edt | |
700 | 1 | |a Straw, Will |4 edt | |
700 | 1 | |a Born, Georgina |4 oth | |
700 | 1 | |a Lewis, Eric |4 oth | |
700 | 1 | |a Straw, Will |4 oth | |
245 | 1 | 0 | |a Improvisation and Social Aesthetics |
260 | |a Durham NC |b Duke University Press |c 2017 | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Improvisation, Community, and Social Practice | |
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a Addressing a wide range of improvised art and music forms-from jazz and cinema to dance and literature-this volume's contributors locate improvisation as a key site of mediation between the social and the aesthetic. As a catalyst for social experiment and political practice, improvisation aids in the creation, contestation, and codification of social realities and identities. Among other topics, the contributors discuss the social aesthetics of the Association for the Advancement of Creative Musicians, the Feminist Improvising Group, and contemporary Malian music, as well as the virtual sociality of interactive computer music, the significance of "uncreative" improvisation, responses to French New Wave cinema, and the work of figures ranging from bell hooks and Billy Strayhorn to Kenneth Goldsmith. | ||
536 | |a Knowledge Unlatched | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode | ||
546 | |a English | ||
650 | 7 | |a Music |2 bicssc | |
653 | |a Music | ||
653 | |a Aesthetics | ||
653 | |a Association for the Advancement of Creative Musicians | ||
653 | |a Improvisation | ||
653 | |a Jazz | ||
653 | |a Social relation | ||
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/id/84aed487-5f85-47c9-afbf-c6855b17abdb/627437.pdf |7 0 |z OAPEN Library: download the publication |
856 | 4 | 0 | |a www.oapen.org |u http://library.oapen.org/handle/20.500.12657/31500 |7 0 |z OAPEN Library: description of the publication |