Cinema against Spectacle: Technique and Ideology Revisited

Jean-Louis Comolli's six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered specta...

Full description

Saved in:
Bibliographic Details
Main Author: Comolli, Jean-Louis (auth)
Format: Electronic Book Chapter
Language:English
Published: Amsterdam University Press 2015
Series:Film Theory in Media History
Subjects:
Online Access:OAPEN Library: download the publication
OAPEN Library: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 oapen_2024_20_500_12657_32378
005 20161231
003 oapen
006 m o d
007 cr|mn|---annan
008 20161231s2015 xx |||||o ||| 0|eng d
020 |a 9789089645548 
020 |a 9789089645548 
040 |a oapen  |c oapen 
024 7 |a 10.5117/9789089645548  |c doi 
041 0 |a eng 
042 |a dc 
072 7 |a APFA  |2 bicssc 
100 1 |a Comolli, Jean-Louis  |4 auth 
245 1 0 |a Cinema against Spectacle: Technique and Ideology Revisited 
260 |b Amsterdam University Press  |c 2015 
300 |a 1 electronic resource (348 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Film Theory in Media History 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a Jean-Louis Comolli's six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli's activity as both a theorist and a filmmaker. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc-nd/3.0/  |2 cc  |4 https://creativecommons.org/licenses/by-nc-nd/3.0/ 
546 |a English 
650 7 |a Film theory & criticism  |2 bicssc 
653 |a cahiers du cinéma 
653 |a ideology cinema and politics 
653 |a film theory 
653 |a film history 
653 |a André Bazin 
653 |a Depth of field 
653 |a Paris 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/id/568ddf50-85b5-421d-bb51-5bdee933369b/611591.pdf  |7 0  |z OAPEN Library: download the publication 
856 4 0 |a www.oapen.org  |u http://library.oapen.org/handle/20.500.12657/32378  |7 0  |z OAPEN Library: description of the publication