Cinema, democracy and perfectionism: Joshua Foa Dienstag in dialogue

In the lead essay for this volume, Joshua Foa Dienstag engages in a critical encounter with the work of Stanley Cavell on cinema, focusing sceptical attention on the claims made for the contribution of cinema to the ethical character of democratic life. In this debate, Dienstag mirrors the celebrate...

Full description

Saved in:
Bibliographic Details
Main Author: Foa Dienstag, Joshua (auth)
Format: Electronic Book Chapter
Language:English
Published: Manchester University Press 2016
Series:Critical Powers
Subjects:
Online Access:OAPEN Library: download the publication
OAPEN Library: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 oapen_2024_20_500_12657_32384
005 20161231
003 oapen
006 m o d
007 cr|mn|---annan
008 20161231s2016 xx |||||o ||| 0|eng d
020 |a 9781784997359 
020 |a 9781784997359 
040 |a oapen  |c oapen 
024 7 |a 10.7765/9781784997359  |c doi 
041 0 |a eng 
042 |a dc 
072 7 |a APFA  |2 bicssc 
072 7 |a HPQ  |2 bicssc 
072 7 |a JPA  |2 bicssc 
100 1 |a Foa Dienstag, Joshua  |4 auth 
245 1 0 |a Cinema, democracy and perfectionism: Joshua Foa Dienstag in dialogue 
260 |b Manchester University Press  |c 2016 
300 |a 1 electronic resource (232 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Critical Powers 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a In the lead essay for this volume, Joshua Foa Dienstag engages in a critical encounter with the work of Stanley Cavell on cinema, focusing sceptical attention on the claims made for the contribution of cinema to the ethical character of democratic life. In this debate, Dienstag mirrors the celebrated dialogue between Rousseau and Jean D'Alembert on theatre, casting Cavell as D'Alembert in his view that we can learn to become better citizens and better people by observing a staged representation of human life, with Dienstag arguing, after Rousseau, that this misunderstands the relationship between original and copy, even more so in the medium of film than in the medium of theatre. The argument is developed further by essays from Clare Woodford, Tracy B. Strong, Margaret Kohn, Davide Panagia and Thomas Dunn, to which Dienstag responds in the concluding chapter, 'A reply to my critics'. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc-nd/4.0/  |2 cc  |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ 
546 |a English 
650 7 |a Film theory & criticism  |2 bicssc 
650 7 |a Ethics & moral philosophy  |2 bicssc 
650 7 |a Political science & theory  |2 bicssc 
653 |a cinema 
653 |a stanley cavell 
653 |a ethics 
653 |a democracy 
653 |a political theory 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/id/013f40a3-c3b0-45f5-a05b-4926c9d4c870/XHTML5 (14).zip  |7 0  |z OAPEN Library: download the publication 
856 4 0 |a www.oapen.org  |u http://library.oapen.org/handle/20.500.12657/32384  |7 0  |z OAPEN Library: description of the publication