The Illiterate Listener: On Music Cognition, Musicality and Methodology
We have known for some time that babies possess a keen perceptual sensitivity for the melodic, rhythmic and dynamic aspects of speech and music: aspects that linguists are inclined to categorize under the term 'prosody', but which are in fact the building blocks of music. Only much later i...
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| Format: | Electronic Book Chapter |
| Language: | English |
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Amsterdam University Press
2011
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| Online Access: | OAPEN Library: download the publication OAPEN Library: description of the publication |
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| 100 | 1 | |a Honing, Henkjan |4 auth | |
| 245 | 1 | 0 | |a The Illiterate Listener: On Music Cognition, Musicality and Methodology |
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| 520 | |a We have known for some time that babies possess a keen perceptual sensitivity for the melodic, rhythmic and dynamic aspects of speech and music: aspects that linguists are inclined to categorize under the term 'prosody', but which are in fact the building blocks of music. Only much later in a child's development does he make use of this 'musical prosody', for instance in delineating and subsequently recognizing word boundaries. In this essay Henkjan Honing makes a case for 'illiterate listening', the human ability to discern, interpret and appreciate musical nuances already from day one, long before a single word has been uttered, let alone conceived. It is the preverbal and preliterate stage that is dominated by musical listening. | ||
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