Hiding Making - Showing Creation The Studio from Turner to Tacita Dean
The aim of Hiding Making - Showing Creation is twofold. In the first instance, we seek to trace the Nachleben of these studio topoi from the nineteenth century to today, in particular focusing on how artists have employed them as strategies for showing certain aspects of their practice (above all th...
Saved in:
Other Authors: | , , |
---|---|
Format: | Electronic Book Chapter |
Language: | English |
Published: |
Amsterdam University Press
2013
|
Subjects: | |
Online Access: | OAPEN Library: download the publication OAPEN Library: description of the publication |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
LEADER | 00000naaaa2200000uu 4500 | ||
---|---|---|---|
001 | oapen_2024_20_500_12657_33864 | ||
005 | 20191210 | ||
003 | oapen | ||
006 | m o d | ||
007 | cr|mn|---annan | ||
008 | 20191210s2013 xx |||||o ||| 0|eng d | ||
020 | |a OAPEN_452250 | ||
040 | |a oapen |c oapen | ||
024 | 7 | |a 10.26530/OAPEN_452250 |c doi | |
041 | 0 | |a eng | |
042 | |a dc | ||
072 | 7 | |a ABA |2 bicssc | |
100 | 1 | |a Esner, Rachel |4 edt | |
700 | 1 | |a Lehmann, Ann-Sophie |4 edt | |
700 | 1 | |a Kisters, Sandra |4 edt | |
700 | 1 | |a Esner, Rachel |4 oth | |
700 | 1 | |a Lehmann, Ann-Sophie |4 oth | |
700 | 1 | |a Kisters, Sandra |4 oth | |
245 | 1 | 0 | |a Hiding Making - Showing Creation |b The Studio from Turner to Tacita Dean |
260 | |b Amsterdam University Press |c 2013 | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a The aim of Hiding Making - Showing Creation is twofold. In the first instance, we seek to trace the Nachleben of these studio topoi from the nineteenth century to today, in particular focusing on how artists have employed them as strategies for showing certain aspects of their practice (above all those which perpetuate the notions of artistic genius and autonomy), while carefully hiding others from view (routine, failure, craft). Secondly, in order to achieve these goals, we have adopted a method that we feel not only does justice to the richness and diversity of the topic but which, we believe, will add a new dimension to the already abundant and ever growing literature on the artist's studio. | ||
536 | |a Nederlandse Organisatie voor Wetenschappelijk Onderzoek | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc/3.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc/3.0/ | ||
546 | |a English | ||
650 | 7 | |a Theory of art |2 bicssc | |
653 | |a arts | ||
653 | |a arts | ||
653 | |a Gustave Courbet | ||
653 | |a Gustave Moreau | ||
653 | |a Jean-Léon Gérôme | ||
653 | |a Theo van Doesburg | ||
653 | |a Work of art | ||
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/id/7937da4e-e7be-4ef7-a493-3557301a590c/452250.pdf |7 0 |z OAPEN Library: download the publication |
856 | 4 | 0 | |a www.oapen.org |u http://library.oapen.org/handle/20.500.12657/33864 |7 0 |z OAPEN Library: description of the publication |