A Second Life German Cinema's First Decades

German cinema is best known for its art cinema and its long line of outstanding individual directors. The double spotlight on these two subject has only deepened the obscurity surrounding the popular cinema. A Second Life<i/> performs a kind of archaeology on a period largely overlooked: the f...

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Bibliographic Details
Other Authors: Elsaesser, Thomas (Editor)
Format: Electronic Book Chapter
Language:English
Published: Amsterdam University Press 1996
Series:Film Culture in Transition
Subjects:
Online Access:OAPEN Library: download the publication
OAPEN Library: description of the publication
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520 |a German cinema is best known for its art cinema and its long line of outstanding individual directors. The double spotlight on these two subject has only deepened the obscurity surrounding the popular cinema. A Second Life<i/> performs a kind of archaeology on a period largely overlooked: the first two decades of German cinema. This collection of essays by established authors refocuses the terms of a debate that will develop in the years to come concerning the historical and cultural significance of popular cinema in Wilhelmine Germany. 
520 |a De Duitse film is het bekendst om zijn kunstfilms en zijn geschiedenis van eminente regisseurs. De aandacht voor deze twee heeft aandacht voor de populaire film in Duitsland vertroebeld. 'A Second Life' doet een soort van archeologie naar deze grotendeels over overschaduwde periode: namelijk de eerste twee decennia van Duitse film. Deze verzameling essays door gevestigde auteurs focusset zich op wat in de nabije toekomst onderwerp zal zijn van debat: de historische en culturele betekenis van populaire Film in het Duitsland van Willem II. 
540 |a All rights reserved  |4 http://oapen.org/content/about-rights 
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653 |a motion pictures 
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856 4 0 |a www.oapen.org  |u http://library.oapen.org/handle/20.500.12657/35080  |7 0  |z OAPEN Library: description of the publication