Íomhá chlúdaigh

Audiovisions Cinema and Television as Entr'actes in History

Taispeáin leaganacha eile (1)

The production, distribution, and perception of moving images are undergoing a radical transformation. Ever-faster computers, digital technology, and microelectronic are joining forces to produce advanced audiovision -the media vanishing point of the 20th century. Very little will remain unchanged....

Cur síos iomlán

Sábháilte in:

Sonraí bibleagrafaíochta
Príomhchruthaitheoir:	Zielinski, Siegfried (auth)
Formáid:	Leictreonach Caibidil leabhair
Teanga:	Béarla
Foilsithe / Cruthaithe:	Amsterdam University Press 1999
Sraith:	Film Culture in Transition
Ábhair:	Film, TV & radio Society & culture: general culture and instituten motion pictures film culture and institutions
Rochtain ar líne:	OAPEN Library: download the publication OAPEN Library: description of the publication
Clibeanna:	Cuir clib leis Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!

Míreanna comhchosúla

Audiovisions Cinema and Television as Entr'actes in History
de réir: Zielinski, Siegfried
Foilsithe / Cruthaithe: (1999)

Film Architecture and the Transnational Imagination Set Design in 1930s European Cinema
de réir: Bergfelder, Tim
Foilsithe / Cruthaithe: (2007)

Film Architecture and the Transnational Imagination Set Design in 1930s European Cinema
de réir: Bergfelder, Tim
Foilsithe / Cruthaithe: (2007)

Moving Forward, Looking Back The European Avant-garde and the Invention of Film Culture, 1919-1939
de réir: Hagener, Malte
Foilsithe / Cruthaithe: (2007)

Fabricating the Absolute Fake America in Contemporary Pop Culture
de réir: Kooijman, Jaap
Foilsithe / Cruthaithe: (2008)

Fabricating the Absolute Fake America in Contemporary Pop Culture
de réir: Kooijman, Jaap
Foilsithe / Cruthaithe: (2008)

European Cinema Face to Face with Hollywood
de réir: Elsaesser, Thomas
Foilsithe / Cruthaithe: (2005)

European Cinema Face to Face with Hollywood
de réir: Elsaesser, Thomas
Foilsithe / Cruthaithe: (2005)

Digital Material Tracing New Media in Everyday Life and Technology
Foilsithe / Cruthaithe: (2009)

Transfigurations Violence, Death and Masculinity in American Cinema
de réir: Grønstad, Asbjørn
Foilsithe / Cruthaithe: (2008)

Transfigurations Violence, Death and Masculinity in American Cinema
de réir: Grønstad, Asbjørn
Foilsithe / Cruthaithe: (2008)

Fassbinder's Germany History, Identity, Subject
de réir: Elsaesser, Thomas
Foilsithe / Cruthaithe: (1996)

Film Front Weimar Representations of the First World War in German Films from the Weimar Period (1919-1933)
de réir: Kester, Bernadette
Foilsithe / Cruthaithe: (2002)

Jean Desmet and the Early Dutch Film Trade
de réir: Blom, Ivo
Foilsithe / Cruthaithe: (2003)

Jean Desmet and the Early Dutch Film Trade
de réir: Blom, Ivo
Foilsithe / Cruthaithe: (2003)

Writing for the Medium Television in transition
de réir: Elsaesser, Thomas
Foilsithe / Cruthaithe: (1994)

Writing for the Medium Television in transition
de réir: Elsaesser, Thomas
Foilsithe / Cruthaithe: (1994)

The Cinema of Attractions Reloaded
Foilsithe / Cruthaithe: (2006)

After the Break Television Theory Today
Foilsithe / Cruthaithe: (2013)

After the Break Television Theory Today
Foilsithe / Cruthaithe: (2013)

A Second Life German Cinema's First Decades
Foilsithe / Cruthaithe: (1996)

The Last Great American Picture Show New Hollywood Cinema in the 1970s
Foilsithe / Cruthaithe: (2004)

The West in Early Cinema After the Beginning
de réir: Verhoeff, Nanna
Foilsithe / Cruthaithe: (2006)

The West in Early Cinema After the Beginning
de réir: Verhoeff, Nanna
Foilsithe / Cruthaithe: (2006)

Malaysian Cinema, Asian Film Border Crossings and National Culture
de réir: van der Heide, William
Foilsithe / Cruthaithe: (2002)

Malaysian Cinema, Asian Film Border Crossings and National Culture
de réir: van der Heide, William
Foilsithe / Cruthaithe: (2002)

Avoiding the Subject Media, Culture and the Object
de réir: Clemens, Justin
Foilsithe / Cruthaithe: (2004)

City of Darkness, City of Light Emigré Filmmakers in Paris 1929-1939
de réir: Phillips, Alastair
Foilsithe / Cruthaithe: (2003)

Film Festivals From European Geopolitics to Global Cinephilia
de réir: de Valck, Marijke
Foilsithe / Cruthaithe: (2007)

Films that Work Industrial Film and the Productivity of Media
Foilsithe / Cruthaithe: (2009)

City of Darkness, City of Light Emigré Filmmakers in Paris 1929-1939
de réir: Phillips, Alastair
Foilsithe / Cruthaithe: (2003)

Camera Obscura, Camera Lucida Essays in Honor of Annette Michelson
Foilsithe / Cruthaithe: (2003)

Living Dangerously A Biography of Joris Ivens
de réir: Schoots, Hans
Foilsithe / Cruthaithe: (2000)

Harun Farocki Working on the Sight-Lines
Foilsithe / Cruthaithe: (2004)

Film Festivals From European Geopolitics to Global Cinephilia
de réir: de Valck, Marijke
Foilsithe / Cruthaithe: (2007)

Avoiding the Subject Media, Culture and the Object
de réir: Clemens, Justin
Foilsithe / Cruthaithe: (2004)

Shooting the Family Transnational Media and Intercultural Values
Foilsithe / Cruthaithe: (2005)

Focus op functies Uitdagingen voor een toekomstbestendig mediabeleid
de réir: Wetenschappelijke Raad voor het Regeringsbele
Foilsithe / Cruthaithe: (2005)

Cinephilia Movies, Love and Memory
Foilsithe / Cruthaithe: (2005)

Herr Lubitsch Goes to Hollywood German and American Film after World War I
de réir: Thompson, Kristin
Foilsithe / Cruthaithe: (2005)