Konstituierung einer Kulturlandschaft Praktiken des Kulturerbens im deutsch-tschechischen Erzgebirge
How does a cultural landscape come into being? And how is this process connected to the valorization of objects, sites and spaces as cultural heritage? Based on the example of the Czech-German Ore Mountains the ethnographic study investigates the relationship between practices of inheriting culture...
I tiakina i:
| Kaituhi matua: | |
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| Hōputu: | Tāhiko Wāhanga pukapuka |
| I whakaputaina: |
Universitätsverlag Göttingen
2018
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| Ngā marau: | |
| Urunga tuihono: | OAPEN Library: download the publication OAPEN Library: description of the publication |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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| Whakarāpopototanga: | How does a cultural landscape come into being? And how is this process connected to the valorization of objects, sites and spaces as cultural heritage? Based on the example of the Czech-German Ore Mountains the ethnographic study investigates the relationship between practices of inheriting culture and the producton of space. With reference to anthropological heritage and policy studies, the research focuses on national and international heritage governances, particularly those of the UNESCO world heritage prorgram. How are they related to local memory discourses and practices? How do they assist in the promotion of regional tourism and other economic endeavors? What role do EU-policies on European integration play? The Czech-German Ore Mountains region is marked by post-war forced migration and resettlement. Against the background of this complex history, the study shows how collective claims on cultural property are formulated and how a shared, transboundary heritage is negotiated. |
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| ISBN: | gup2018-1114 |
| Urunga: | Open Access |