The Figure of the Musician in German Literature
This survey of the literary treatment of musicians in German novels and novellas begins with the Romantics and ends with the publication of Thomas Mann's "Doktor Faustus". Schoolfield explores the work of a large selection of writers, including Hoffmann, Tieck, Kleist, Brentano, Grill...
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| Main Author: | |
|---|---|
| Format: | Electronic Book Chapter |
| Language: | English |
| Published: |
Chapel Hill
University of North Carolina Press
1956
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| Series: | UNC Studies in the Germanic Languages and Literatures
19 |
| Subjects: | |
| Online Access: | OAPEN Library: download the publication OAPEN Library: description of the publication |
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| 520 | |a This survey of the literary treatment of musicians in German novels and novellas begins with the Romantics and ends with the publication of Thomas Mann's "Doktor Faustus". Schoolfield explores the work of a large selection of writers, including Hoffmann, Tieck, Kleist, Brentano, Grillparzer, Werfel and Hesse among many others. Through these works he tracks the progression of the figure of the musician as professional, artist, genius, composer, and pedagogue and how the pursuit of their art is interpreted by major literary movements. | ||
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