The "Ariadne auf Naxos" of Hugo von Hofmannsthal and Richard Strauss
This book presents in comprehensive fashion the extraordinary development of "Ariadne auf Naxos" from its conception to the final operatic version. The unique collaboration of Hofmannsthal and Strauss is examined and the classical myths that served as a basis for the libretto are investiga...
Guardado en:
Autor principal: | |
---|---|
Otros Autores: | |
Formato: | Electrónico Capítulo de libro |
Lenguaje: | inglés |
Publicado: |
Chapel Hill
University of North Carolina Press
1975
|
Colección: | UNC Studies in the Germanic Languages and Literatures
80 |
Materias: | |
Acceso en línea: | OAPEN Library: download the publication OAPEN Library: description of the publication |
Etiquetas: |
Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
MARC
LEADER | 00000naaaa2200000uu 4500 | ||
---|---|---|---|
001 | oapen_2024_20_500_12657_39830 | ||
005 | 20200623 | ||
003 | oapen | ||
006 | m o d | ||
007 | cr|mn|---annan | ||
008 | 20200623s1975 xx |||||o ||| 0|eng d | ||
020 | |a 9781469657363_Daviau | ||
040 | |a oapen |c oapen | ||
024 | 7 | |a 10.5149/9781469657363_Daviau |c doi | |
041 | 0 | |a eng | |
042 | |a dc | ||
072 | 7 | |a DS |2 bicssc | |
100 | 1 | |a Daviau, Donald G. |4 auth | |
700 | 1 | |a Buelow, George J. |4 auth | |
245 | 1 | 0 | |a The "Ariadne auf Naxos" of Hugo von Hofmannsthal and Richard Strauss |
260 | |a Chapel Hill |b University of North Carolina Press |c 1975 | ||
300 | |a 1 electronic resource (284 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a UNC Studies in the Germanic Languages and Literatures |v 80 | |
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a This book presents in comprehensive fashion the extraordinary development of "Ariadne auf Naxos" from its conception to the final operatic version. The unique collaboration of Hofmannsthal and Strauss is examined and the classical myths that served as a basis for the libretto are investigated. The detailed analysis and interpretation of both the text and the music demonstrate that this work is epochal in the history of early nineteenth-century opera and commands central importance in the overall production of its authors. | ||
536 | |a National Endowment for the Humanities | ||
536 | |a Andrew W. Mellon Foundation | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
546 | |a English | ||
650 | 7 | |a Literature: history & criticism |2 bicssc | |
653 | |a German Studies | ||
653 | |a Literature | ||
653 | |a Music | ||
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/id/c427f83e-5664-46aa-97a9-6266e149b626/9781469657363_WEB.pdf |7 0 |z OAPEN Library: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/handle/20.500.12657/39830 |7 0 |z OAPEN Library: description of the publication |