Ego-Alter Ego Double and/as Other in the Age of German Poetic Realism

• Main Author: Pizer, John (auth)
• Format: Electronic Book Chapter
• Language: English
• Published: Chapel Hill University of North Carolina Press 1998
• Series: UNC Studies in the Germanic Languages and Literatures 120
• Subjects: Literature: history & criticism; Poetry; German Studies; Literature
• Online Access: OAPEN Library: download the publication; OAPEN Library: description of the publication

German Poetic Realists drew on the Romantic motif of the Double in a manner consistent with the central dictum of Poetic Realism as articulated by its chief theorists, Julian Schmidt and Otto Ludwig. Schmidt and Ludwig argued that contemporary authors should, above all, strive for psychological and aesthetic totality in their narrative representations, turning away from the Romantic fantastic but also avoiding the fragmentary approach to the portrayal of everyday life that Ludwig found in early Naturalism. The 'poetic' presentation of reality adheres to quotidian life but strives to show it in all its many dimensions. While Romantic Doppelgänger are often preternatural figures, the Poetic Realists configure egos and their narrative Others ('alter egos,' who are also sometimes physical Doubles) to portray characters in their psychological comprehensiveness. After offering an overview of the Romantic Double motif and its connections to the theory of Poetic Realism, John Pizer analyzes the work of Annette von Droste-Hülshoff, Otto Ludwig, Conrad Ferdinand Meyer, Gottfried Keller, Theodor Storm, and Wilhelm Raabe.