Kapak Resmi

Das flüchtige Werk Pianistische Improvisationen der Beethoven-Zeit

Diğer sürümleri göster (1)

The goal of this volume is to examine and describe the manifold improvisational culture around 1800. Therefore, different viewpoints are brought together, the focus lies, besides traditional source analysis, on methods and approaches of historical performance practice und historically informed music...

Kaydedildi:

Detaylı Bibliyografya
Diğer Yazarlar:	Lehner, Michael (Editör), Meidhof, Nathalie (Editör), Miucci, Leonardo (Editör), Allenbach, Daniel (Editör)
Materyal Türü:	Elektronik Kitap Bölümü
Baskı/Yayın Bilgisi:	Schliengen Edition Argus 2019
Seri Bilgileri:	Musikforschung der Hochschule der Künste Bern 12
Konular:	Theory of music & musicology improvisation Beethoven historical performance practice music theory musical analysis
Online Erişim:	OAPEN Library: download the publication OAPEN Library: description of the publication
Etiketler:	Etiketle Etiket eklenmemiş, İlk siz ekleyin!

Benzer Materyaller

Das flüchtige Werk Pianistische Improvisationen der Beethoven-Zeit
Baskı/Yayın Bilgisi: (2019)

Das Werk im Werk Konzepte des Poly-Werks
Baskı/Yayın Bilgisi: (2022)

Das Werk im Werk Konzepte des Poly-Werks
Baskı/Yayın Bilgisi: (2022)

Children's Guided Participation in Jazz Improvisation A Study of the 'Improbasen' Learning Centre
Yazar:: Gravem Johansen, Guro
Baskı/Yayın Bilgisi: (2021)

Children's Guided Participation in Jazz Improvisation A Study of the 'Improbasen' Learning Centre
Yazar:: Gravem Johansen, Guro
Baskı/Yayın Bilgisi: (2021)

Contingent Encounters Improvisation in Music and Everyday Life
Yazar:: DiPiero, Dan
Baskı/Yayın Bilgisi: (2022)

Contingent Encounters Improvisation in Music and Everyday Life
Yazar:: DiPiero, Dan
Baskı/Yayın Bilgisi: (2022)

Improvising Across Abilities Pauline Oliveros and the Adaptive Use Musical Instrument
Baskı/Yayın Bilgisi: (2024)

Improvising Across Abilities Pauline Oliveros and the Adaptive Use Musical Instrument
Baskı/Yayın Bilgisi: (2024)

Theory into practice Composition, Performance and the Listening Experience
Yazar:: Cook, Nicholas
Baskı/Yayın Bilgisi: (2021)

Theory into practice Composition, Performance and the Listening Experience
Yazar:: Cook, Nicholas
Baskı/Yayın Bilgisi: (2021)

Logic of Experimentation Reshaping Music Performance in and through Artistic Research
Yazar:: de Assis, Paulo
Baskı/Yayın Bilgisi: (2018)

Do erro em composição
Yazar:: Menezes, Flo
Baskı/Yayın Bilgisi: (2021)

Tonal Music Twelve Analytic Studies
Yazar:: Kresky, Jeffrey
Baskı/Yayın Bilgisi: (1977)

Music Practices Across Borders (E)Valuating Space, Diversity and Exchange
Baskı/Yayın Bilgisi: (2019)

Music Practices Across Borders (E)Valuating Space, Diversity and Exchange
Baskı/Yayın Bilgisi: (2019)

Der Körper als Vermittler zwischen Musik und (all)täglicher Lebenswelt Distanzauslotungen am Beispiel ausgewählter Werke der Neuen Musik
Yazar:: Schmitt-Weidmann, Karolin
Baskı/Yayın Bilgisi: (2021)

Der Körper als Vermittler zwischen Musik und (all)täglicher Lebenswelt Distanzauslotungen am Beispiel ausgewählter Werke der Neuen Musik
Yazar:: Schmitt-Weidmann, Karolin
Baskı/Yayın Bilgisi: (2021)

Dialektik der Schrift Zu Adornos Theorie der musikalischen Reproduktion
Baskı/Yayın Bilgisi: (2022)

The Popular and the Sacred in Music
Yazar:: Kärjä, Antti-Ville
Baskı/Yayın Bilgisi: (2022)

The Popular and the Sacred in Music
Yazar:: Kärjä, Antti-Ville
Baskı/Yayın Bilgisi: (2022)

Views on Early Music as Representation Invitations, Congruity, Performance
Baskı/Yayın Bilgisi: (2022)

Views on Early Music as Representation Invitations, Congruity, Performance
Baskı/Yayın Bilgisi: (2022)

For the Sake of a Song Wangga Songmen and Their Repertories
Yazar:: Marett, Allan
Baskı/Yayın Bilgisi: (2013)

Traditional Music in Modern Java Gamelan in a Changing Society
Yazar:: Becker, Judith
Baskı/Yayın Bilgisi: (1980)

Powers of Divergence An Experimental Approach to Music Performance
Yazar:: D'Errico, Lucia
Baskı/Yayın Bilgisi: (2018)

Powers of Divergence An Experimental Approach to Music Performance
Yazar:: D'Errico, Lucia
Baskı/Yayın Bilgisi: (2018)

Chapter 22 Competing Ontologies of Musical Improvisation A Medieval Perspective
Yazar:: Smilansky, Uri
Baskı/Yayın Bilgisi: (2021)

Chapter 37 Improv, Stand-Up, and Comedy
Yazar:: Canonne, Clément
Baskı/Yayın Bilgisi: (2021)

Chapter 28 The Risk of Improvised Music An Ethnographic Approach
Yazar:: Arthurs, Tom
Baskı/Yayın Bilgisi: (2021)

Chapter 27 Repeatability versus Unrepeatability in Free Improvisation
Yazar:: Gartmann, Thomas
Baskı/Yayın Bilgisi: (2021)

Chapter 24 Freedom and Form in Piano Improvisation in the Early 19th Century
Yazar:: Eggers, Katrin
Baskı/Yayın Bilgisi: (2021)

The Routledge Handbook of Philosophy and Improvisation in the Arts
Baskı/Yayın Bilgisi: (2021)

Chapter 27 Repeatability versus Unrepeatability in Free Improvisation
Yazar:: Gartmann, Thomas
Baskı/Yayın Bilgisi: (2021)

Chapter 37 Improv, Stand-Up, and Comedy
Yazar:: Canonne, Clément
Baskı/Yayın Bilgisi: (2021)

The Routledge Handbook of Philosophy and Improvisation in the Arts
Baskı/Yayın Bilgisi: (2021)

Chapter 28 The Risk of Improvised Music An Ethnographic Approach
Yazar:: Arthurs, Tom
Baskı/Yayın Bilgisi: (2021)

Chapter 22 Competing Ontologies of Musical Improvisation A Medieval Perspective
Yazar:: Smilansky, Uri
Baskı/Yayın Bilgisi: (2021)

Chapter 24 Freedom and Form in Piano Improvisation in the Early 19th Century
Yazar:: Eggers, Katrin
Baskı/Yayın Bilgisi: (2021)

Musikalische Praxis als Lebensform Sinnfindung und Wirklichkeitserfahrung beim Musizieren
Yazar:: Houben, Eva-Maria
Baskı/Yayın Bilgisi: (2018)