Technocrats of the Imagination Art, Technology, and the Military-Industrial Avant-Garde
Technocrats of the Imagination traces the rise of collaborative art and technology labs in the U.S. from WWII to the present. Ryan Bishop and John Beck reveal the intertwined histories of the avant-garde art movement and the military-industrial complex, showing how radical pedagogical practices trav...
Saved in:
Main Author: | |
---|---|
Other Authors: | |
Format: | Electronic Book Chapter |
Language: | English |
Published: |
Duke University Press
2020
|
Subjects: | |
Online Access: | OAPEN Library: download the publication OAPEN Library: description of the publication |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
LEADER | 00000naaaa2200000uu 4500 | ||
---|---|---|---|
001 | oapen_2024_20_500_12657_43811 | ||
005 | 20201215 | ||
003 | oapen | ||
006 | m o d | ||
007 | cr|mn|---annan | ||
008 | 20201215s2020 xx |||||o ||| 0|eng d | ||
020 | |a /doi.org/10.1215/9781478007326 | ||
020 | |a 9781478007326 | ||
040 | |a oapen |c oapen | ||
024 | 7 | |a https://doi.org/10.1215/9781478007326 |c doi | |
041 | 0 | |a eng | |
042 | |a dc | ||
072 | 7 | |a AB |2 bicssc | |
100 | 1 | |a Beck, John |4 auth | |
700 | 1 | |a Bishop, Ryan |4 auth | |
245 | 1 | 0 | |a Technocrats of the Imagination |b Art, Technology, and the Military-Industrial Avant-Garde |
260 | |b Duke University Press |c 2020 | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a Technocrats of the Imagination traces the rise of collaborative art and technology labs in the U.S. from WWII to the present. Ryan Bishop and John Beck reveal the intertwined histories of the avant-garde art movement and the military-industrial complex, showing how radical pedagogical practices traveled from Germany's Bauhaus movement to the U.S. art world and interacted with government-funded military research and development in university laboratories. During the 1960s both media labs and studio labs leaned heavily on methods of interdisciplinary collaboration and the power of American modernity to model new modes of social organization. In light of revived interest in Black Mountain College and other 1960s art and technology labs, this book draws important connections between the contemporary art world and the militarized lab model of research that has dominated the sciences since the 1950s. | ||
536 | |a Knowledge Unlatched | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode | ||
546 | |a English | ||
650 | 7 | |a The arts: general issues |2 bicssc | |
653 | |a Art | ||
653 | |a Criticism & Theory | ||
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/id/ff30d450-f059-4f84-9f34-786d71651d31/external_content.pdf |7 0 |z OAPEN Library: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/handle/20.500.12657/43811 |7 0 |z OAPEN Library: description of the publication |