Chapter 2 Demonic Daydreams Mind-Wandering and Mental Imagery in the Medieval Hagiography of St Dunstan

"St Dunstan stood in his ivied tower, Alembic, crucible, all were there; When in came Nick to play him a trick, In guise of a damsel passing fair. Every one knows How the story goes: He took up the tongs and caught hold of his nose".2 Richard Harris Barham was correct in his 1837 lay lampo...

Full description

Saved in:
Bibliographic Details
Main Author: Powell, Hilary (auth)
Format: Electronic Book Chapter
Language:English
Published: Cambridge Boydell & Brewer 2018
Subjects:
Online Access:OAPEN Library: download the publication
OAPEN Library: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 oapen_2024_20_500_12657_48494
005 20210505
003 oapen
006 m o d
007 cr|mn|---annan
008 20210505s2018 xx |||||o ||| 0|eng d
020 |a 9781787442047 
040 |a oapen  |c oapen 
041 0 |a eng 
042 |a dc 
072 7 |a D  |2 bicssc 
100 1 |a Powell, Hilary  |4 auth 
245 1 0 |a Chapter 2 Demonic Daydreams  |b Mind-Wandering and Mental Imagery in the Medieval Hagiography of St Dunstan 
260 |a Cambridge  |b Boydell & Brewer  |c 2018 
300 |a 1 electronic resource (37 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a "St Dunstan stood in his ivied tower, Alembic, crucible, all were there; When in came Nick to play him a trick, In guise of a damsel passing fair. Every one knows How the story goes: He took up the tongs and caught hold of his nose".2 Richard Harris Barham was correct in his 1837 lay lampooning the legend of St Dunstan: the tale of the saint tweaking the devil's nose was indeed one which everyone knew. In fact, so famous was the tale that Barham felt it needed no further explanation.3 Few in the nineteenth century, however, could have known of its origins, nor indeed have imagined its novelty when the story first entered the hagiographical tradition in the final decade of the eleventh century. St Dunstan (909-988) had been dead for over a century and at least two different accounts of his Life had already been written, but Osbern of Canterbury was the first to tell this tale in his Vita S. Dunstani, written c. 1090.4 This essay explores the origins of this story, addresses why Osbern chose to introduce it into the legend of Dunstan, and asks what his careful remodelling of the tale can reveal about the purposes of hagiographical narratives. 
536 |a Wellcome Trust 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by/4.0/  |2 cc  |4 https://creativecommons.org/licenses/by/4.0/ 
546 |a English 
650 7 |a Literature & literary studies  |2 bicssc 
653 |a daydreams; mental imagery; mind-wandering; medieval hagiography 
773 1 0 |t New Medieval Literatures 18  |7 nnaa  |o OAPEN Library UUID: 9772c816-39ce-4445-b6f1-bc70203b9d10 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/id/c1b26188-eb15-4339-956d-0cdcc09ae5fa/Bookshelf_NBK525001.pdf  |7 0  |z OAPEN Library: download the publication 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/handle/20.500.12657/48494  |7 0  |z OAPEN Library: description of the publication