Inventing Cinema Machines, Gestures and Media History

With machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a 'stable' moment in media history? *Inventing Cinema* proposes to approach...

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I tiakina i:
Ngā taipitopito rārangi puna kōrero
Kaituhi matua: Turquety, Benoît (auth)
Hōputu: Tāhiko Wāhanga pukapuka
Reo:Ingarihi
I whakaputaina: Amsterdam University Press 2019
Rangatū:Cinema and Technology
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OAPEN Library: description of the publication
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Whakaahuatanga
Whakarāpopototanga:With machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a 'stable' moment in media history? *Inventing Cinema* proposes to approach this question through an archaeology and epistemology of media machines. The archaeology analyses them as archives of users' gestures, as well as of modes of perception. The epistemology reconstructs the problems that the machines' designers and users have strived to solve, and the network of concepts they have elaborated to understand these problems. Drawing on the philosophy of technology and anthropology, *Inventing Cinema* argues that networks of gestures, problems, perception and concepts are inscribed in vision machines, from the camera obscura to the stereoscope, the Cinématographe, and digital cinema. The invention of cinema is ultimately seen as an ongoing process irreducible to a single moment in history.
Whakaahuatanga ōkiko:1 electronic resource (279 p.)
ISBN:9789463724623
9789048550463
Urunga:Open Access